I do, but I never force it out of myself. I’m kind of trying to explore writing as a practice, so you know, I journal every day, I try and do kind of something for the art every day whether that’s reading or watching film or practicing guitar… It kind of ebbs and flows, but I do try and do something creative every day. When it comes to writing poetry or songs, I really have to have an idea or have that desire to get something down. I feel like the best art comes from a sense of necessity and urgency, like I can’t help but talk about this. I can only be in that creative space when I really want to and when internally it feels right.

I did it because that’s what it was going to take. I really wanted it. I had an older brother, and he was bigger and smarter, and when you’re a kid, you’re trying to catch up all the time. I think that that’s where it kind of came from, just that little brother syndrome. I was just trying to be something, trying to make myself worth something. It was proving it to other people and proving it to myself at the same time. I needed that.

That moving a lot really committed me to stability and committed me to ... being in control of my destiny. That was something that was very important to me. And it also made me very conservative about money.

Right. It saves you from giving up. This present novel that will be out — Villages — I several times thought it might be a bad idea and kind of abandoned it. So, it was really the habit — the habit of writing that kept me at it in the end. It was like a bad marriage. I mean, whatever. This is the wife I’m married to here, and I’m going to finish this book. Finishing it becomes the only way to get rid of it. So yes, it’s good to have a certain doggedness to your technique.