Then I had another thought: Physics disgusts me a little bit now, but I used to enjoy doing physics.  Why did I enjoy it?  I used to play with it.  I used to do whatever I felt like doing—it didn’t have to do with whether it was important for the development of nuclear physics, but whether it was interesting and amusing for me to play with.

Having bought the colours, an easel, and a canvas, the next step was to begin. But what a step to take! The palette gleamed with beads of colour; fair and white rose the canvas; the empty brush hung poised, heavy with destiny, irresolute in the air. My hand seemed arrested by a silent veto.

A little of both. Sometimes I have a skeleton of something. For both essays and poems, the conception process is very similar. So there definitely were some essays that started as poems. It’s just about realizing what the best container is for the thought. Sometimes I need more of an argument, even if it’s an argument with myself, but what’s cool is that I can think about utilizing those techniques no matter what form. It’s about exercising, learning how an essay thinks, and then being able to apply that to a poem if I need to or want to.

Yeah, I think it’s a combination of all those things, really. I think narrative is significant and important to me. And I think most of the narratives that really struck me were about history or were narratives that I received in ways that were abstract, so they were kind of nonlinear narratives that I pulled from, for example, music. You know, music was a huge inspiration to me growing up, I grew up listening to a lot of reggae music, a lot of dancehall, dub. If you listen to that music, I think one of the things you realize is that those particular artists, those legendary artists who were making that music in the ’70s and ’80s, and even to some degree in the ’60s, were really good at provoking you to go on your own journey with the information that they were giving you in the music. For me, one of the things about artistic practice is not about providing some solution, but instead provoking curiosity about some things that you should find on your own and not be led to.

They were the great architects who have gone before. So they were architects like Le Corbusier, Frank Lloyd Wright. Of course, they were alive at the time that I was studying. But there were also, for me, not just buildings.

I would hope that there’s a recognition that in some way or another it has contributed to the breaking down of barriers. Somehow deinstitutionalizing some of those buildings. They might be workplaces. They might be cultural buildings, where under one roof you have the contemplation of great works of art and the studying of the history of art. That might be linked to a degree of innovation, harnessing technology to a good end. I’m bringing an element of joy and uplift to spirits.