Whose work makes you jealous?
Recorded Nick Cave said elsewhere, not written here
I’m envious of people who don’t need that. There are people that just wander round the world and ideas fall down from wherever, and they sit and they strum a guitar one day and they write a song, and then they carry on living. I could never work in that way.

Lauren Laverne, BBC Radio 4, Desert Island Discs source ↗

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Dax Shepard Actor and film-maker; host of the Armchair Expert podcast
I would always be tempted to take a movie I liked less if the payday was twice as much, and I’ve interviewed a couple people that grew up with wealth and I’ve watched them navigate their career and I’ve been envious of it. Nick Kroll comes to mind. He has so much creative integrity. He just does what fascinates him.
Recorded Tim Ferriss, The Tim Ferriss Show podcast, 19 November 2020 source ↗
Jacinda Ardern Prime Minister of New Zealand, 2017–2023; Leader of the Labour Party 2017–2023
Recently I had the privilege of joining ex German Chancellor, Angela Merkel on a panel. I have long been in awe of her leadership, not least for her endurance. She was in power for 16 years. I once asked her how she managed it, her response was "things have changed a lot."
Recorded Tercentenary Theatre, Harvard University, Cambridge, Massachusetts, Harvard Magazine, 26 May 2022 source ↗
Cheryl Strayed Author of Wild and Tiny Beautiful Things
I would say you shouldn’t waste your energy on jealousy. Ever, ever! But especially on people like me.
Recorded Elissa Bassist, Creative Nonfiction source ↗
Darren Aronofsky Film director; Requiem for a Dream, The Wrestler, Black Swan
I think I’ve always been jealous of musicians. You hear the story where Bob Dylan wrote a song in the afternoon and it became the anthem for a generation.
Recorded Tim Ferriss, The Tim Ferriss Show podcast, 1 February 2018 source ↗

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Question What are bad recommendations you hear in your profession or area of expertise? Craft & work
Many creative people, especially the young, may feel their chaotic or disordered relationship with the world is indispensable to their creative freedom. The more anarchic, the better! However, after considerable fieldwork in this area, I have yet to find it so. I have come to understand that the muscle of the imagination is strengthened through resistance, discipline and order.
Recorded Jai, The Red Hand Files, Issue #302, 28 October 2024 source ↗
Question What is the part of your job that people would be surprised is most of your job? Craft & work
The artistic process seems to be mythologized quite a lot into something far greater than it actually is. It is just hard labor. […] As anyone who actually writes knows, if you sit down and are prepared, then the ideas come. There’s a lot of different ways people explain that, but, you know, I find that if I sit down and I prepare myself, generally things get done.
Recorded NPR, NPR broadcast interview, September 2014, 16 September 2014 source ↗
Question What does the first sixty minutes of your day look like? Daily life
As many of you know, I observe specific protocols to open the creative mind – I sit at a desk in my office and write, working exclusively between 9am and 5pm. Within ‘office hours’ I find my mind becomes genuinely free, and I feel a creativity that is qualitatively richer than anything I may experience outside of this time, in the disorder and distraction of the ordinary world. For me, what must appear to some as forced labour is where all the imaginative mischief, beauty, and love are free to happen. Freedom finds itself in captivity.
Recorded Jai, The Red Hand Files, Issue #302, 28 October 2024 source ↗

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David Hare, Orhan Pamuk, Cheryl Strayed, Christiane Nüsslein-Volhard, Nassim Nicholas Taleb, Dax Shepard

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