That I’ll die worrying.

I never want to go back; I fought so much through my life, that I have to keep going forward.

To overcook that plate of fettuccine.

That we will drown in plastic waste.

This is something I still have to learn and figure out because I'm not perfect at it yet — but I've learned that just even something as simple as breathing properly can be a really nice form of meditation. Also talking to people about it. I started going to therapy, which has been really helpful just to get it out. Of course for me as a songwriter, writing helps. So does taking things a day at a time and stopping to just breathe because I'm a person who really thinks so far in advance all the time.

It was very challenging at first, as I came straight out of high school where my lifestyle was so different to that of a professional musician. I lived such a secluded life – I went from school to home, school to home, and never travelled anywhere. I hadn’t figured out who I was, as I hadn’t explored anything yet. To jump into the completely opposite lifestyle so quickly and so young was difficult – I was very afraid, and didn’t know how to say no.

I think now, especially with Love & Hyperbole, I was like, let me just write the best thing that I can make for myself. Totally intuitively.

I don't write as often as a lot of artists I know. I save [my songwriting] for a period of time, so I bank up a lot of ideas and a lot of feelings, and then, not even necessarily on purpose, it becomes an album.

I wanted to have one part of my social media that was just for me to post pictures. If you like it, you can like it. If not, I don't have to know that you don't like it because people have a lot of opinions, which is fine, but I think there's a difference between having an opinion and just being mean for no reason.

I'm most proud of maintaining my sense of identity, you know, because I had a lot of success, and the whole whirlwind sort of happened during very formative years for me,