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The question

How much rewriting or revision do you typically do?

Originally asked

The Paris Review, to novelists and poets, The Art of Fiction

A recurring Art of Fiction craft question, sometimes asked about daily rewriting and sometimes about the number of drafts.

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Others on this question

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Christoph Niemann Illustrator, graphic designer
I think this contrast marks the main source of suffering for any creative in any field. The crazy thing is, I wrote a book about it, and it still happens to me all the time. It’s like raising kids or moving somewhere–after a while you forget how hard it really was. You look at your body of work, and you know all too well how exhausting those individual pieces were, but after a while, finished pieces get a sense of authority. They loom over you all monolithically and perfect, and leave you thinking, “Damn, last year you still had it.” But deep down you know how desperately you sat in front of the page and had no idea where the journey would take you. But now you’re stuck with the results, standing there all confidently, glaring at you. It’s easy to despair over that.
Recorded Julian Brimmers, The Creative Independent interview source ↗
Jessica Hopper American writer
There were things that I wanted to add. Things that I wanted to take out. Things I wanted to correct. Things had changed for me as a writer, as an author, as a thinker.
Recorded Caitlin Wolper Phillips, The Creative Independent interview source ↗
Kazuo Ishiguro Novelist and screenwriter; Nobel laureate in Literature, 2017
Actually, I had done what I thought was more or less a finished version of The Remains of the Day , but the very buttoned-up narrator, the butler — in that earlier version, he doesn’t quite come through confessing his true emotions. He maintains his front a little bit more effectively than he does in the final version. What made me change my mind was that, between that penultimate version and the final version I handed in, I listened to a song by Tom Waits — another great singer-songwriter, remarkable artist. And this is the power of that art form: it’s performance as well as the actual writing.
Recorded Academy of Achievement interview, 2017 source ↗
Lauren Groff writer, bookseller
No, I’m never worried that I’m going to forget anything from a previous draft. It’s not that I don’t forget good things, but I think that often we fetishize what has been done to the detriment of the larger design. I think sometimes we fall in love with a paragraph, even a chapter or a character, and ultimately, those things don’t necessarily add to the book at hand. I actually see it as this beautiful process of almost whittling away. I know it seems counterintuitive, but if I do remember something and it does come into the book in the next draft and I never look at my previous draft, then it probably deserves to be there.
Recorded Scarlett Harris, The Creative Independent interview, 27 November 2024 source ↗

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