They encouraged me, the way I do others now, that if you really have something that you like to do, that’s what you probably should do. Despite what everybody says, that you can’t make a living, or that’s not practical, or a thousand reasons why you may not do this or this or this. If that’s what your heart says you should do, chances are that you ought to listen.

It’s very hard to give people advice, because you don’t know their personality. Personality is a big part of that. Everybody is faced with passing opportunities. Many people watch the opportunity come and watch it go. I say, if an opportunity comes and you have got the self-confidence, grab it. Ride it for a bit. If it’s not the right opportunity, do something else, but be positive about opportunities.

I think fear and fear of the unknown and perceived failure is what holds people back. For me, I am more scared of complacency than having something not work out. I'd rather take a leap of faith and fall than stand on the edge forever.

You must find a way to get in the way, you must find a way to get into trouble — good trouble, necessary trouble.

I didn’t fear failure. I expected failure. I think I’ve always been somebody, since the deaths of my father and brother, who was afraid to hope. So, I was more prepared for failure and for rejection than success. The success took me by surprise and it frightened me.

I thought I was clever enough to write as well as these people, and I didn't realize that there is something called originality and your own voice.

I would say that half of it was adversity. It was people discouraging me that got me into writing. I had a partner, a business partner, who ended up cheating me, as a matter of fact.

I remember one teacher in particular. I was in a school in the third grade and they were thinking of skipping me, putting me in a higher grade. But then somebody said that would be bad psychologically. So, for that entire year, because I had learned all the lessons that year — the multiplication tables, whatever the reading was — this teacher let me go off by myself and draw pictures. So I had hours and hours of time where I was just left to my own devices, drawing pictures. And she would encourage me. That was a wonderful period in my life. I mean, I didn’t become an artist, but somebody let me do something I loved. What a luxury, to do something you love to do. I would still like to have that luxury, to be able to just sit and draw for hours and hours and hours. In a way, that’s what I do as a writer. I just sit by myself, being in my own mind, not being directed at what I should be doing moment-by-moment, not having a clear plan set out by anybody and just letting imagination enter into the blank page. So in that respect, I can thank Miss Grudoff of the third grade for allowing me that.