I don’t know. A good friend of mine is sending her album to mastering now and she’s been reaching out to me being like, “Let me know if you need to talk about this because this is the really hard part.” I’ve been very grateful for my community right now, but still, I don’t know. I do think it will get to the point where I just start enjoying listening to the sessions and listening to the songs, and I’m not thinking about what it needs or what it doesn’t. I do think I’m close with a lot of them.
Originally asked
The Creative Independent, to working artists, its interview series
A repeated process question in The Creative Independent, asked across visual art, music, writing, performance, and mixed media.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Julian Brimmers, The Creative Independent, 15 March 2018 source ↗
Others on this question
View all 67 →I don’t know the answer to that, especially with projects like Seat Assignment or Sorted Books, because both do still feel ongoing. The Sorted Books Project is my longest ongoing project to date, where I’m working in libraries or book collections with other people’s books and trying to work only with what’s there, to draw something out from the book arrangements I make.
I think that’s an instinct.
For me, especially with this last book, I had nothing else to say about these characters from this point in their lives. I felt like I’d reached the end of what they’re telling me—it wasn’t even what they’re telling the story, it’s more what versions of them I needed at that time.
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