Luckily, I’ve had a lot of practice with that. At this point, it is my 15th year of doing music, which is kind of crazy. I remember the first record I turned in, and I was asking myself all the time if it was done or whatever. It was great, but in retrospect, when I listen to things or look back, I’m like, “I should have done this differently.” Things like, “This is mixed weirdly.” Those are the types of mistakes you don’t notice in the moment, but that’s how it has to happen. You have to be a little bullheaded about it, a little stubborn and delusional, so the vision just sort of happens.

we need to let this thing go, because it was complete

Most EPs I’ve done have just been for fun, Bandcamp stuff, so I just stop when…I guess with EPs, it’s easier. It’s like, “Oh, EPs are usually four or five songs.” I know it will end within that bracket.

I keep messing with it until it gets to the mix table. Sometimes you can’t just change the whole song, but maybe I can change a verse in the very last moment or a chord or the introduction to the song, or the song’s order, some fade-ins or fadeouts. It’s a tough process letting go, saying, “This is it. It’s going to be this way. There were multiple choices, but we’ve chosen this one.” But it’s also a relief because it means you stop wondering. You stop thinking about it and you just let the songs find their own way and say goodbye to them and hello at some point because you’re going to start playing them live and it’s a way to actually get to know your song once you finished it. I usually know. It feels like a release to let go of a song.

Anything new that’s got chemicals involved and radically alters your body, I’m not a fan. We should just love ourselves in whatever shape we are. Also, what about the poor people with diabetes who can’t get it now because all these fucking actors are shooting up?

But when you say to someone, “I don't understand this and I'm asking your advice because you're better at it than me,” by doing that and involving people and making the film truly a collaborative process, you get much better results. You get a better film and you get happier people and get an atmosphere on the set that is truly creative.

Well, you have to learn to say no. Certain times you have to think, all right, line in the sand. It’s a gut thing. There’s no rhyme or reason to it. I’m going to do this Beckett Play in London with Daniel Radcliffe. He said this really interesting thing about how he feels that he’s lucky enough that when he chooses a part, that he only does something that he thinks he can bring something to. I think that’s really good, if you have that choice.

I think acting your age is allowing other people to make decisions for you about how you should behave and what is age-appropriate. I encourage people to live and not be tied down with other people's expectations of what you should be doing. If you want to do something, go and do it. We overly worship the altar of youth. It's not good for our mental health. As a culture, we need to get better at seeing the beauty in aging and the beauty in things that are not young.

Dying on the same day as someone much more famous than me.

Biggest lesson; Treat people respectfully. There's a sort of vogue, and there has been for decades now, that the director is god and the director is all knowing.