The person who has inspired me my whole life is my Mom, because she taught me commitment. She sacrificed. We weren’t dirt poor, but we weren’t real rich or anything. I would always have what I needed, and when I looked in her closet, she would have two dresses. She taught me to be outside of yourself, to get outside of yourself, and to be committed to somebody. That’s the same thing that I try to teach. Throughout my life, my mom has been the person that I’ve always looked up to. She never went to high school. I remember, in an old Polish way, she said, “Mike, I went to the eighth grade twice because the teacher liked me.” She had great, self-effacing humor, and loved life. I really admire her.

The man who inspired me most, I think, was Dr. Alfred Blalock, who was professor of surgery at Johns Hopkins. He was a rather simple man with a burning curiosity. It was through his curiosity that he made many real contributions to medical science. I didn’t think he was an especially brilliant man, I just admired him for his curiosity, and for his perseverance.

He was a little guy who was a great football player at Georgia Tech, and he just was indefatigable. He just would never, ever say die. He absolutely proved to me that persistence was a very big part of making it in life. I never forgot that lesson.

Has to be the poet Harry Guest.

So I use the first draft purely as a frame on which to build the actual story. So a lot of my writing is done through rewriting. And I don’t become discouraged by the notion that my first draft is not going to win any prizes or that it’s not going to be — I understand that it’s going to be lousy, but I want all of the essential elements to be there. The heart of the story has to be in that first draft, and then I can use that to create something and discover things about the story. When I wrote, for instance, The Kite Runner , there were a lot of things in that first draft that stayed, but some things in that first draft were tossed, and the transformation in some passages were very dramatic. I wrote an entire draft where the two kids were not brothers, and it really wasn’t until a subsequent draft when I realized that the kids, suddenly the idea came — well, what if the kids are brothers, and that changed the whole tone of the story. And when I rewrote it, writing it with that knowledge, it changed everything. And so you can get discouraged. Writing is largely about rewriting, and I abhor writing the first draft. I love writing subsequent drafts because that’s when I can see the story getting closer and closer to what I intended and what my original hopes for it were.