Do you rely on inspiration or discipline to make work?

Originally asked

The Creative Independent, to working artists, its interview series

A repeated Creative Independent tension, asked as inspiration, muse, discipline, ritual, or the requirement to show up.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Peyton Manning said elsewhere, not written here
You’re talking about going back to as a freshman in high school. Every day from August until — the season is growing in pro ball — but August to December. Practice is at this time. It’s 4:00 to 6:00 in high school, it’s 2:00 to 4:00 in college, and it’s 1:00 to 3:00 in pro ball, but that is your routine.

American Academy of Achievement interview, 22 June 2007 source ↗

Others on this question

View all 50 →
Kurt Vonnegut Novelist and essayist
I don’t think I can control my life or my writing. Every other writer I know feels he is steering himself, and I don’t have that feeling. I don’t have that sort of control. I’m simply becoming.
Recorded Harry James Cargas, Christian Century / Religion Online, 24 November 1976 source ↗
David Hare Playwright and screenwriter
One day you write nothing, the next you write eight pages. It’s not in your hands.
Recorded My writing day, The Guardian, 4 November 2017 source ↗
Agnès Varda Film director, photographer and installation artist
I was curious. Curiosity is a good thing. And I was curious about different people. And, as I said, I waited until something was strong enough to disturb me or inspire me to make a film.
Recorded Kiva Reardon, cléo, 11 April 2018 source ↗
Suzanne Farrell Ballerina and ballet master; répétiteur for the Balanchine Trust
No, never. Strangely enough, being such a tomboy, and being so—as my mother says—spoiled as a child, once I started dancing and in a way growing up, I was not the spoiled brat or the rebellious child that I was when I really had no reason to be as a child. When you work, it’s a laboratory. The dance studio, when we were working together, was the place where you experiment. I’m not intimidated by failure or making a mistake, because you learn from those situations. You don’t learn from a situation where you do something well. You enjoy it and you give yourself credit, but you don’t really learn from that. You learn from trial and error, trial and error, all the time. When you fail, maybe you failed in that particular instance, but you have discovered something else. A lot of the ballets that we went on to do were built around mistakes that we had made in the classroom. So you never throw anything out. Rebelling takes up energy. As a dancer, you don’t have that kind of energy to throw away.
Recorded Academy of Achievement interview, New York City, 16 December 1990 source ↗

More from Peyton Manning

View profile →
Question How has a failure, or apparent failure, set you up for later success? Do you have a favourite failure? Failure & regret
That's a real challenge and a real issue. Reading the statistics, they had a ranking of quarterbacks, and the statistic was the percentage of a touchdown drive after an interception. To me, that is a telling statistic. The guys that have a high percentage are the guys that have short memories. They talk about having amnesia as a quarterback. You better move along from it. It is hard to say you forget about it, because you want to learn from it. You want to address it. You can't just say it never happened.
Recorded Academy of Achievement interviewer, Academy of Achievement interview, Indianapolis, Indiana, 1 April 2007 source ↗

More on craft & work

Also answered this

Chris Cole, Pete Rozelle, László Krasznahorkai, Donald C. Johanson, Ph.D., General Chuck Yeager, USAF, Gore Vidal

Search the directory for somebody in particular.

Explore further

Report this answer