My favorite method is stopping everything for a moment. It’s amazing how difficult I find it these days to simply sit quietly.
Max Dax, Eno's London studio, 2011, Telekom Electronic Beats, 1 January 2011 source ↗
My favorite method is stopping everything for a moment. It’s amazing how difficult I find it these days to simply sit quietly.
Max Dax, Eno's London studio, 2011, Telekom Electronic Beats, 1 January 2011 source ↗
You cannot tell from appearances how things will go. Sometimes imagination makes things out far worse than they are; yet without imagination not much can be done. Those people who are imaginative see many more dangers than perhaps exist; certainly many more than will happen; but then they must also pray to be given that extra courage to carry this far-reaching imagination.
Arriving in the States, I had the feeling of being thrown into an ocean. The ocean was full of knowledge, culture, and opportunities, and the choice was clear: I could either learn to swim or sink. The culture was foreign, the language was difficult, but my hopes were high. I did not speak or write English fluently, and I did not know much about western culture in general, or American culture in particular.
There's a term that gets thrown around a lot – keyboard warrior. It's used to refer to someone who makes aggressive or abusive posts online, often anonymously. I like the name. In my mind, when I read something especially horrific on my feed, I imagine it's written by a lone person unacquainted with personal hygiene practices, dressed in a poorly fitted super hero costume – one that is baggy in all the wrong places.
Yes. Today has been really stressful. We had a workout this morning. It went okay. And then just that five and a half hour wait or something. I was just shaking, could barely nap. I've just never felt like this going into a competition before. And I tried to go out here and have fun. And warm up in the back went a little bit better. But then once I came out here, I was like, "No, mental is not there. So I just need to let the girls do it and focus on myself."
I like to break up days and structure them. You have breakfast, work for two hours on a project, check your emails, work on another project for another two hours and then lunch. Your day has to be a measurable process, in order to minimize aimless drifting. Of course, you can have some days on automatic pilot, and there’s nothing wrong with drifting in and of itself. But you can’t do that every day—you’ll never get anywhere.
I call it “stolen time”—there’s nothing more valuable than stolen time. It happens to me sometimes when I’ve set up a meeting at my studio at a certain time and it gets cancelled on short notice. When it happens, I’m like a giddy child. I think, “Wow, I’ve stolen half an hour. It’s so exciting—I can do whatever I want!”
I find that you’re a completely different person as a maker than you are as a listener. That’s one of the reasons I so often leave the studio to listen to things. A lot of people never leave the studio when they’re making something, so they’re always in that maker mode, screwdriving things in - adding, adding, adding. Because it seems like the right thing to be doing in that room. But it’s when you come out that you start to hear what you like.
Albie Sachs, Sarah Waters, Ada Yonath, Chris Hoy, Eliud Kipchoge, Yo-Yo Ma
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