I would say the discovery of the hydrothermal vents off the Galápagos Islands. That really turned science upside down. Until that time, there were a lot of things we didn’t know about the ocean. We didn’t know why it was salty. We didn’t know why it had the chemistry that it had.

I’m most proud of the fact that we produced broad-based prosperity, where the incomes of the bottom 20% rose more percentage-wise than the incomes of the top 20%, about the same as the incomes of the top 5%. That was across all racial groups, all regional groups, and all income groups, and that we did it while eliminating 600 billion dollars in national debt. And I put America on a path to be debt free so that we’d be able to embrace the challenges of the 21st century, and I think that at a time of yawning inequality, having inclusive prosperity is very important to building support for inclusive societies.

Being respected, because I have to deal with this each and every day of my life. Each and every day of my life, when I go to a public place, someone might recognize me, or might not, that doesn’t make or break my day. The thing that I walk in expecting is that, whether they recognize me or not, I’m going to be treated with respect.

I was really happy because Rolex did something that was almost impossible: to organize it during a pandemic, to do it at such a high level, and to provide this financial aid to all these people… I was really proud.

Then you have the clients. The care and feeding of clients is really one of the main obstacles, because you always have a client with some preconceived idea of what a house looks like, and all you want him to do is leave a check and go to Europe for a couple of years. Or leave two checks. But alas, life isn’t simple. If it were, more people would be better architects.

Only Mies influenced me. Le Corbusier I met. He was a nasty man, but obviously a genius. You don’t have to like the people just because they’re geniuses. Mies and I got along better and we became pretty close. I worked with him on his greatest building here, the Seagram building, which was kind of fun, but again, you can’t be a hero-worshipper and be an uncommon architect; you’ve got to be your own man. So I split with Mies and did a different kind of work.