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The question

Do you rely more on inspiration or discipline to make your work?

Originally asked

The Creative Independent, to working artists, its interview series

A repeated Creative Independent tension, asked as inspiration, muse, discipline, ritual, or the requirement to show up.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Carlos Fuentes

Novelist and essayist; Mexico's ambassador to France

Recorded said elsewhere, not written here
A writer is no different than a bricklayer or a bus driver in that sense. You must have discipline. Oscar Wilde said that writing is 10 percent genius, 90 percent discipline. You must have discipline for writing. It is not an easy task. It is very lonely. You’re all alone. You are not in company. You are not enjoying yourself in that sense. You are enjoying yourself in another sense. You are delving into your depths, but you are profoundly lonely. It is one of the loneliest careers in the world. In the theater, you are with companions, with directors, actors. In film. In an office. In writing, you are alone. That takes a lot of strength and a lot of will to do it. You must really be in love with what you’re doing to tolerate the huge loneliness of writing.

Academy of Achievement interview, Los Angeles, California, 2 June 2006 source ↗

Others on this question

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Carlos Slim Helú Businessman and investor; chairman of Grupo Carso and América Móvil
It takes a combination of ways to do these things, more than discipline. It’s a way of life. It’s like diet or gymnastics. You can know all the gymnastic things, all the exercises. You can know all the diets, but if you don’t do the diets, if you don’t do the exercise, it won’t work. It’s the same if you have some rules, but you don’t live them. It doesn’t work.
Recorded Academy of Achievement interview, Washington, D.C., 2 December 2007 source ↗
Athol Fugard Playwright, director and actor
Do I have a muse? Well, I don’t know if this is an adequate answer, but I suppose my muse is the people of South Africa. I’ve often said that the little — or maybe the lot — I know about loving and hating was taught me by South Africa. Now that’s a big debt. When you owe that much to a situation that has shaped your conscience, your heart, your whole life, you’re profoundly indebted.
Recorded Academy of Achievement interview, San Francisco, California, 13 September 2014 source ↗
Chris Cole Professional skateboarder; twice Thrasher Skater of the Year
I did it because that’s what it was going to take. I really wanted it. I had an older brother, and he was bigger and smarter, and when you’re a kid, you’re trying to catch up all the time. I think that that’s where it kind of came from, just that little brother syndrome. I was just trying to be something, trying to make myself worth something. It was proving it to other people and proving it to myself at the same time. I needed that.
Recorded The Talks, published interview, 11 November 2015 source ↗
Donald C. Johanson, Ph.D. Palaeoanthropologist; discovered the Lucy skeleton in Ethiopia
I agree with him, essentially, 100 percent. One has to devote oneself to a particular pursuit. To be successful at anything, you have to make a total commitment to it. We so often see students who would love to play baseball like one of their heroes, or would love to be on the basketball court or the football field. They don’t see the 99 percent effort that went into practicing making baskets, or practicing hitting the baseball, or practicing catching a pass on the football field. It takes a tremendous amount of perspiration, a tremendous amount of hard work that you don’t always see or appreciate in the end result. You will find this over and over. Most achievers I know are people who have made a strong and deep dedication to pursuing a particular goal. That dedication took a tremendous amount of effort. That is certainly true in my case. It took a tremendous amount of work to get from point A to point B.
Recorded Academy of Achievement interview, Berkeley, California, 25 January 1991 source ↗

More from Carlos Fuentes

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Question How much rewriting or revision do you typically do? Craft & work
Not that important. I seem to rewrite in my head a great deal. I write in these English ruled notebooks. So I write on the right, and then I correct on the left. Then, when it’s typed out, I even make another correction, and then maybe in the typed sheets also. But not that much. I seem to have a great facility to go right into what I want to say. I do correct, but not like Balzac, who went crazy over the printing presses. He was correcting at the last minute.
Recorded Academy of Achievement interview, 2006 source ↗
Question Which teacher, parent, coach, or friend most made you who you are, and what did you learn from them? Relationships
My father was a great educator for me. He taught me so many things. He named me Carlos after a brother he lost — a very brilliant young man who died at 21 in Mexico. He had written very good poems. He was an intellectual. I think my father wanted to see his brother in me, so he put books into my hands at a very early age. He fostered my literary and artistic inclinations. So he was my best teacher.
Recorded Academy of Achievement interview source ↗

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