They feel very, very different to finish. With a song, I end up playing it so, so, so much and shifting things while I’m writing so, so much. And then I play it and play it and play it, and through that process, I write it. Over and over and over—almost like when they’re polishing a stone and it’s just being thrown around inside that tumbler. The song rolls over, and it starts out as this very malleable thing. It’s the strangest experience where you start with absolutely arbitrary things—or so you think—and you’re making them up, apparently, but as you go, and through the process of repetition, things become so apparent to you.
Originally asked
The Creative Independent, to working artists, its interview series
A repeated process question in The Creative Independent, asked across visual art, music, writing, performance, and mixed media.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Janet Frishberg, The Creative Independent, 7 September 2021 source ↗
Others on this question
View all 76 →Well, Tour continues because I exhibit it with a growing archive of performances. For instance, I have something upcoming that I’m working on at Pioneer Works with Stanley Love and his dance troupe. It’s exciting, and it keeps the project present and alive. So this particular project, Tour Without End, becomes self-fulfilling.
I think that’s the part of writing that I think is the most intuitive and unpredictable. What happens to me is that I—unlike other writers that I’ve known, particularly mystery writers— I don’t have an ending in mind. And it might happen when I get to a certain point that I think, “Oh, I know how this is going to end probably.” And then I write a little more, and I think, “Well, that won’t work.” So, what always happens is that as I approach the ending, I can sense myself coming to an ending. And then because I’ve been working for such a long time on the book, and it’s all in my head, and many things have happened supposedly, the thing just starts to draw tight. The threads start to come together. “Well, I’ve left this loose, and that loose, and that loose. So how can these be pulled together? And what can I say that would make a satisfying close?”
For me a story is done when I can read it and not cringe. When I’m revising a story, I focus on what’s not working. I usually set something aside for a little bit, and if I come back to it and feel that it’s complete, I trust that sense. You kind of know.
More on craft & work
- What is the worst job you have done? 239 answers
- What do you consider your greatest achievement? 204 answers
- How does a new work begin for you? 84 answers
- What do you do when you feel creatively blocked or stuck? 80 answers
- How much rewriting or revision do you do? 59 answers
- What is the part of your job that people would be surprised is most of your job? 56 answers
Also answered this
Boris Fishman, Neel Patel, Lauren Groff, André Aciman, Ursula K. Le Guin, Claudia Dey
Search the directory for somebody in particular.
Explore further
- All craft & work questions
- The The Creative Independent questionnaire — 4 questions from the same format
- Explore the archive — by field, age, era, and subject