How much rewriting or revision do you do?

Originally asked

The Paris Review, to novelists and poets, The Art of Fiction

A recurring Art of Fiction craft question, sometimes asked about daily rewriting and sometimes about the number of drafts.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Jade Catta-Preta said elsewhere, not written here
I like to write onstage. I like to say a funny thing that happened to me out loud and see if any part of it gets a laugh, then take the little moment that got the laugh and expand on it. I wish I was a more studious person. I have drawers full of notebooks filled with random sentences. In one I found a note that said, ‘wet lettuce.’ That’s it. What about it? What about wet lettuce? I know that I don’t like it, but where is the joke?!

Greta Rainbow, The Creative Independent interview source ↗

Others on this question

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Cheryl Strayed Author of Wild and Tiny Beautiful Things
I think revising is the same as writing, at least when it comes to the essential truths I wrote about in “Write Like a Motherfucker.” It’s all work. It’s all part of the process. Writing and revision are not two entirely different things, even though they demand slightly different things of us.
Recorded Elissa Bassist, Creative Nonfiction source ↗
François Ozon Film director and screenwriter
Very often I do a first [draft] and I give it to friends. I ask them to read it, to give me their suggestions; what they think, what they understand, what works or not for them. I work again and again, and I don’t stop working until the shoot. And very often during the shoot, I change the script.
Recorded Filmmaker Magazine, March 2013 source ↗
Lauren Groff writer, bookseller
No, I’m never worried that I’m going to forget anything from a previous draft. It’s not that I don’t forget good things, but I think that often we fetishize what has been done to the detriment of the larger design. I think sometimes we fall in love with a paragraph, even a chapter or a character, and ultimately, those things don’t necessarily add to the book at hand. I actually see it as this beautiful process of almost whittling away. I know it seems counterintuitive, but if I do remember something and it does come into the book in the next draft and I never look at my previous draft, then it probably deserves to be there.
Recorded Scarlett Harris, The Creative Independent interview, 27 November 2024 source ↗

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