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The question

How much rewriting or revision do you typically do?

Originally asked

The Paris Review, to novelists and poets, The Art of Fiction

A recurring Art of Fiction craft question, sometimes asked about daily rewriting and sometimes about the number of drafts.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Taika Waititi

Actor, Writer, Director

Recorded said elsewhere, not written here
What I usually do is write a draft or two and I won’t think too much about the length. Usually my scripts don’t go over 110, 120 pages. I’m pretty good at that. Then I know I’ve got a record of that and whatever jokes are in there. Eventually I’ll read it once or twice, usually once, and then delete it off my computer. Put it somewhere, a drive somewhere, and get it off my computer. And then I rewrite it again from memory. Based on what I remembered from reading it.

Charlie Sextro, The Creative Independent interview, 31 May 2017 source ↗

Others on this question

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Geoff Dyer Essayist and novelist
D.H. Lawrence wrote several complete versions of Sons And Lovers and The Rainbow and Women in Love . I think that thing of having to begin again maybe enables you to reconceive things, completely reconceive, in a way that’s more difficult now. Now it’s just a kind of constant tampering.
Recorded Gideon Jacobs, The Creative Independent interview, 20 June 2018 source ↗
Leelee Kimmel American actress and artist
It all depends. I attack and then keep attacking them until they tell a story and maybe it’s boring or discordant or I’m not interested in that story anymore, so then I put them away. Sometimes for a year. And then I take them back out and if I disagree with something strongly it’s kind of exciting because I can really be loose on the canvas. When I’ve worked on something for years there are moments where it could be a little scary to be so loose, because you’re destroying so many hours of work. But I think that’s why when I’m a little delirious in the middle of the night the magic happens, or it doesn’t. So sometimes I then work toward building different parts of the painting, and then there’s a new story. If it doesn’t have a story to tell, I’d eventually declare it’s a dead painting. In which case, a la poubelle , to the garbage.
Recorded Phong H. Bui, The Brooklyn Rail, In Conversation, 1 May 2024 source ↗
Kazuo Ishiguro Novelist and screenwriter; Nobel laureate in Literature, 2017
Actually, I had done what I thought was more or less a finished version of The Remains of the Day , but the very buttoned-up narrator, the butler — in that earlier version, he doesn’t quite come through confessing his true emotions. He maintains his front a little bit more effectively than he does in the final version. What made me change my mind was that, between that penultimate version and the final version I handed in, I listened to a song by Tom Waits — another great singer-songwriter, remarkable artist. And this is the power of that art form: it’s performance as well as the actual writing.
Recorded Academy of Achievement interview, 2017 source ↗
Steve Jobs Co-founder and chief executive of Apple; co-founder of NeXT; chief executive of Pixar
We tried make something much more holistic and simple. When you first start off trying to solve a problem, the first solutions you come up with are very complex, and most people stop there. But if you keep going, and live with the problem and peel more layers of the onion off, you can oftentimes arrive at some very elegant and simple solutions. Most people just don't put in the time or energy to get there.
Recorded Steven Levy, Newsweek interview, 16 October 2006 source ↗

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Leelee Kimmel, Devin Kelly, Jade Catta-Preta, Charles Bernstein, Zach Baron, Tayi Tibble

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