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The question

How much rewriting or revision do you typically do?

Originally asked

The Paris Review, to novelists and poets, The Art of Fiction

A recurring Art of Fiction craft question, sometimes asked about daily rewriting and sometimes about the number of drafts.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Geoff Dyer

Essayist and novelist

Recorded said elsewhere, not written here
D.H. Lawrence wrote several complete versions of Sons And Lovers and The Rainbow and Women in Love . I think that thing of having to begin again maybe enables you to reconceive things, completely reconceive, in a way that’s more difficult now. Now it’s just a kind of constant tampering.

Gideon Jacobs, The Creative Independent interview, 20 June 2018 source ↗

Others on this question

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Steve Jobs Co-founder and chief executive of Apple; co-founder of NeXT; chief executive of Pixar
We tried make something much more holistic and simple. When you first start off trying to solve a problem, the first solutions you come up with are very complex, and most people stop there. But if you keep going, and live with the problem and peel more layers of the onion off, you can oftentimes arrive at some very elegant and simple solutions. Most people just don't put in the time or energy to get there.
Recorded Steven Levy, Newsweek interview, 16 October 2006 source ↗
All of the above is the answer to that. I mean, I edit what I wrote yesterday before starting writing again today, so that’s the first sort of layer of editing. Then, suppose I have a chapter, then I’ll edit it again and again. Every word I publish has been through 30 edits. My first draft I do with a pencil. I just write freehand with a pencil. I do that for quite a while, and then I write with a pen. I make a draft with a pen. And then I get onto the computer. For me, it would be really kind of crippling if I were to go straight onto a computer. I would just freeze up. I think there’s a lot to be said for trying to find ways of not freezing up, of being able to be loose.
Recorded Maddie Crum, The Creative Independent interview, 20 August 2019 source ↗
I worked as an editor until I joined the New Yorker , and so I’m an extremely tough self-editor. I also love being edited. I love a hard edit. It’s a privilege to be edited hard.
Recorded Brandon Stosuy, The Creative Independent interview, 27 April 2022 source ↗
Winston Churchill Prime Minister of the United Kingdom, 1940–1945 and 1951–1955; Member of Parliament 1900–1964
First of all, you can correct mistakes much more easily. One sweep of the palette-knife 'lifts' the blood and tears of a morning from the canvas and enables a fresh start to be made; indeed the canvas is all the better for past impressions.
Recorded Essay first published in the Strand Magazine in 1921–22 and collected in Amid These Storms, 1932, Winston S. Churchill, Painting as a Pastime, Project Gutenberg Canada, 1932 source ↗

More from Geoff Dyer

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Question What does everyone in your world seem to agree on that you think is wrong? Values & belief
Don’t write in public places. In the early 1990s I went to live in Paris. The usual writerly reasons: back then, if you were caught writing in a pub in England, you could get your head kicked in, whereas in Paris, dans les cafés . . . Since then I’ve developed an aversion to writing in public. I now think it should be done only in private, like any other lavatorial activity.
Recorded The Guardian Review, 20 February 2010 source ↗

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