I liked all the normal kinds of adventure books, Kidnapped, Treasure Island, Huck Finn sorts of things. I loved Swiss Family Robinson and that whole period of South Sea adventure movies. I liked westerns. Westerns were very big when I was growing up. When we finally got a television there was a whole run of westerns on television. John Wayne films, directed by John Ford, before I knew who John Ford was. I think those were very influential in my enjoyment of movies.

I spent time with Rauschenberg a lot during the combine period. I think just around the combine period. He had a big influence on me because he was very free and not full of philosophy and why I’m doing this and that. Some of the artists had this anchor of having to be — relate sometimes to Hegel and Kant and Nietzsche. It was sort of baggage that they brought to the table that was irrelevant. I mean it was in their head and it was relevant, but it was irrelevant to this moment of truth. So I found the artists that were kind of “dumb smart,” that were really smart but didn’t parade it, that were willing to take the risks and stuff.

Well, it certainly influences my manner of writing, because I always see Darwin as a model of the act of explanation and of argument; the morality, the ethics of explanation, maybe.

Well, naturally, my grandfather. He was a Hasid, meaning a member of the Hasidic community, and I loved him, I adored him. So thanks to him, I became a Hasid too. And my mother — who actually continued his tradition — she’s the one who brought me to Hasidic Masters. And all the stories I tell now — I’ve written so many books with Hasidic tales — these are not mine, these are theirs, my mother’s and my grandfather’s. My father taught me how to reason, how to reach my mind. My soul belonged to my grandfather and my mother. They enriched me, of course. They influenced me profoundly, to this day. When I write, I have the feeling, literally, physically, that one of them is behind my back, looking over my shoulder and reading what I’m writing. I’m terribly afraid of their judgment.

People who speak with heavy American accents. I can barely understand them. No, seriously, dishonesty.

I have a great family, great friends, and a fantastic career. But I'm also really proud of the work I do for kids—like the Special Olympics, promoting health and fitness for youngsters, and working on afterschool programs, such as the Inner City Games and Arnold's All-Stars.

I think I value the same things everyone does—loyalty, a sense of humor, the ability to make campaign contributions.

My father would make sure that I knew what it meant. Just to give you an example, I started bodybuilding with the age of 15, and my father would say, why are you lifting these dumbbells and barbells? Don't you think it would be better to just go out and chop some wood and shovel some coal for some poor people that don't have anyone? Therefore you would get muscles. But at the same time, you're doing something useful. You're doing something for somebody rather than just for yourself and looking in a mirror at yourself and stuff like that. So he would make sure that you knew what being useful meant.

Spending time with my family—with no phone, no fax, and no meetings.

It's just, I would say, faith. I had very clear visions of me being a champion. When I saw this picture of Reg Park on a cover, standing there like - as Hercules, from the Hercules movies, I looked at that, and then I looked at the inside and I read the story, and I immediately started creating visions of me standing there on the pedestal at the Mr. Universe contest and me being Hercules and me doing movies and so on. And that created such unbelievable drive and such unbelievable will and discipline, that there was absolutely no stopping me. I mean, I went to the gym two hours every day lifting weights. When I came home afterwards, I lifted an extra hour and a half and did bodybuilding training, and it was just relentless.