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Nina Riggs

Poet and essayist

Recorded said elsewhere, not written here
Downstairs, the boys gaze at a screen on the old futon in the playroom. We will figure out what to do about them soon enough. They probably already know what’s up and are waiting for us to figure out how to say it. Their very existence is the one dark piece I cannot get right within all this. I can let go of a lot of things: plans, friends, career goals, places in the world I want to see, maybe even the love of my life. But I cannot figure out how to let go of mothering them.

Extract from The Bright Hour, published by her Australian publisher, Text Publishing, 20 June 2017 source ↗

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Athol Fugard Playwright, director and actor
I don’t think I could. Of course I’m saying this on American soil. I’m facing a few more months of work in this city, but at the end of it, I will be returning to South Africa. I would like to believe that if for some reason the situation deteriorated to the point where I was told, “If you leave South Africa, you can never come back,” I’d stay there. There were periods in my life when I could have been seduced away. I am incredibly fortunate that the government took away my passport at the point when I was most open to seduction. With my passport gone, I could have left on a one-way ticket. But the issue was so starkly highlighted that I had no problem in saying, “No.”
Recorded Lloyd Richards, Interview conducted in front of an audience at the Poetry Center of the 92nd Street YMHA, New York, The Paris Review, Issue 111, Summer 1989, 13 October 1985 source ↗
Ram Dass Spiritual teacher and author
everyone saw me as a victim of a terrible illness. But what happened to my body was far less frightening than what happened to my soul. The stroke wiped out my faith. It took me so far from my guru that I felt my oxygen cord had been cut. ... I couldn't put the two together. Then I thought, maybe the stroke is a form of grace, and I hunted for that: how could the stroke be seen as grace? ... The stroke was giving me lessons, advanced lessons. ... It brought me into my soul, and that's grace.
Recorded Sara Davidson, Keynote talk at a conference on body and soul, Hyatt Regency, San Francisco, reported in the New York Times Magazine, The New York Times Magazine, 21 May 2000 source ↗
Albie Sachs Anti-apartheid lawyer; Justice of the Constitutional Court of South Africa
And into the darkness I said, “What happened?” and a woman’s voice said, “It was a car bomb,” and I collapsed into darkness again, but with a sense of euphoria. I’d survived.
Recorded Academy of Achievement interview, 3 July 2009 source ↗
Suzan-Lori Parks Playwright, screenwriter and novelist; Pulitzer Prize for Drama, 2002
But it was quite intense to be the first Black person that my German friends had seen. Actually laid eyes, and hands, on. And there was the German language, which I had to learn, and the German kids learned British English, so my American English was frowned upon. … Maybe I write like I do because I spent those years in the cauldron of not fluently speaking the native language of my classmates. Those several years of being told that the tongue I spoke wasn’t right.
Recorded Branden Jacobs-Jenkins, The Paris Review, Issue 235, Winter 2020, 2020 source ↗

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Question How close have you come to dying? Death & what remains
None of this was supposed to happen. At 38, I wasn’t supposed to lie on my back in the E.R. on a late December morning and be told by a teary radiation oncology resident that the pain I’d been having for two months — that I’d been assured was from having a weak core after months of chemo — was actually from a tumor that had devoured my L2 vertebra. John wasn’t supposed to have to hold me up on the toilet. Put my pants on for me. Do Christmas Eve for the children without me. I’m not supposed to be thinking about where he will sit and hold my hand as I take my last breath.
Recorded The New York Times, Modern Love, 23 September 2016 source ↗
Question What would you most want to leave your children? Death & what remains
So maybe I don’t try to figure it out. Maybe I just aim to get the couch right: strong bones, high-quality leather, something earthy and animal and real. A surface that knows something of what it was to be alive, that warms to our touch and cools in our absence. Also: an expansive bench that fits all of us. Something that will hold us through everything that lies ahead — the loving, collapsing and nuzzling. The dying, the grieving.
Recorded The New York Times, Modern Love, 23 September 2016 source ↗

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Athol Fugard, Terry Pratchett, Ram Dass, Jenny Diski, Clive James, Christopher Hitchens

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