And then Octavia, I open up her books and the protagonist is a Black girl. And both the Blackness and the youth matter here, that it was like, she was writing people who were 15 years old and who already had a sense of destiny and a sense of, the world needs to change, and I’m going to shape that. I’m going to be a part of that. And she was very solution-oriented in her writing, she was very practical in her writing, so everything is very clear. You’re not going to read Octavia and come away confused.
Originally asked
The Paris Review, to novelists and poets, The Art of Fiction
A durable Art of Fiction question asked through named literary influences and artistic models.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Academy of Achievement interview, San Francisco, California, 6 March 1991 source ↗
Others on this question
View all 42 →Actually, I started falling in love with the films of Brian De Palma. He was the first filmmaker I ever loved, he always made genre films. They touched me more, they felt warm, and human, and unsettling. There was always his vision behind them.
I realized I took ideas from philosophers like Dan Dennett. I took ideas from evolutionary biologists like John Maynard Smith. I took ideas from people who were trying to implement evolution for things like RNA, so people like Jerry Joyce at Scripps. I took ideas from lots of people who could explain their ideas well, so I’ve been influenced by many. I’ve built my ideas on the contributions of many. And, of course, that’s what evolution does. It mutates and recombines what’s already there. Nothing comes out of nothing, right? It all comes on the back of what was there.
We had the classics, published by Scribners, all the great stories by Robert Louis Stevenson and the rest which were illustrated by the great N.C. Wyeth. In those days, when childhood diseases were extended, you were home with the measles or mumps or chicken pox for two or three weeks at a time, and you were supposed to stay in bed. There wasn’t any television, there wasn’t much to do, so I would stare at those paintings in those books by the hour. I didn’t read them all. I loved to just look at those pictures and study every detail. I could sit down and draw most of those pictures right now without having to refresh my memory because they were so exciting to me.
More from Gertrude B. Elion
View profile →I can’t remember that anyone in particular did. I think perhaps it was my mother who influenced me the most. She was a housewife. She had no higher education, but had the most common sense of anyone I knew, and she wanted me to have a career. So she was always very supportive, at a time when many women of her generation would not have been.
I think I’m most proud of the fact that so many of the drugs have really been useful in saving lives. I’ve run into people whose lives have been saved, and the kind of satisfaction that you get from having someone come up and say, “My child had acute leukemia and your drug saved him.” Or, “My little girl had herpes encephalitis, and she is now cured, she is back at school. She is doing very well. People told me that she might be mentally affected, but she is not.” I run into people who have had kidney transplants for 20 years who are still taking the drug. And I don’t think that anything else that happens to you can match that type of satisfaction.
More on taste & recommendation
Also answered this
Frances Arnold, Linus C. Pauling, Ph.D., Charles H. Townes, Adam Gopnik, George Lucas, Rashid Johnson
Search the directory for somebody in particular.
Explore further
- All taste & recommendation questions
- The The Art of Fiction questionnaire — 3 questions from the same format
- Explore the archive — by field, age, era, and subject