I did a TV job, Ain’t Misbehavin’, purely for the money. I was disappointed with myself and, inevitably, incredibly unhappy.
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You answer as yourself. Nobody on FLAPSS answers as anybody else.
Aye'lesha Gibson, FEMEXFILMARCHIVE, 27 February 2020 source ↗
Others on this question
View all 373 →My friends dying: Alexander (McQueen), Isabella (Blow), a friend of cancer last year.
An angina attack 300 metres below the summit ridge of Everest in 2005, having spent 72 days getting that far.
My brother Pete passing on in 2005.
More from Ja’Tovia Gary
View profile →It requires me to be in prayer and meditation daily, or else I will literally spiral out. It’s something that I put at the forefront of my life.
I work on other things. There's usually more than one project brewing. I also write. I also listen to talks; I love listening to black feminist thinkers or listening to people read their poetry. What I try to do is fill my arsenal. I'll put this shit down or I'll pick something else up. Like some days, I just take whole days where I "play," and that's where I'll only do production stuff.
It’s investigative curiosity at the beginning, this phase of questioning and garnering. And at the end it’s instinctual. It’s a sweet spot. There have been times where I’ve gone out and presented something thinking that it’s done and then brought it back. I’ve gotten audience reactions, brought it back, turned it up a little bit, and then it was done. Sometimes my finishing process requires me to see it with a large group of people.
When I start a project, it’s a kind of investigation and curiosity at the beginning. I’m basically culling materials. I’m gathering. A lot of the work takes on a collage aesthetic. So I am thinking through an idea and then gathering all of the supporting documents. In some ways it’s essayistic. I’m attempting to put forth an idea or a thesis. There are assertions that are being made, and what can I use visually, whether it is 16 millimeter film from the past or things that I shoot myself, whether it’s interview that I go out and get, whether it’s me painting on film and creating some sort of abstraction that alludes to or gestures towards the assertion. It’s playtime at the beginning. It’s almost like a very active brainstorming that requires me to go out and find materials as well as make notes, as well as look at footage as well as read. It’s investigative curiosity at the beginning, this phase of questioning and garnering. And at the end it’s instinctual. It’s a sweet spot. There have been times where I’ve gone out and presented something thinking that it’s done and then brought it back. I’ve gotten audience reactions, brought it back, turned it up a little bit, and then it was done. Sometimes my finishing process requires me to see it with a large group of people.
So I don’t ever feel the urge to kind of rewrite the work.
So I’m listening, I’m watching, and I’m also reading while I’m making.
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