What has been your biggest disappointment?

Originally asked

The Guardian, to a different person each week, The Q&A

This exact question recurs in The Guardian's institutional Q&A pool.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Ja’Tovia Gary said elsewhere, not written here
One of my biggest disappointments: I used to take piano lessons as a young girl, and then I stopped, because I was having a really difficult year as a kid. My step father had died, and I didn't want to do anything -- so I just stopped taking lessons. And then I think back and I'm like, “Damn, I could have been Nina Simone!” Haha

Aye'lesha Gibson, FEMEXFILMARCHIVE, 27 February 2020 source ↗

Others on this question

View all 373 →
Robson Green British actor
I did a TV job, Ain’t Misbehavin’, purely for the money. I was disappointed with myself and, inevitably, incredibly unhappy.
Recorded The Guardian, The Q&A, The Guardian, 12 January 2019 source ↗
Philip Treacy Irish-born haute couture milliner
My friends dying: Alexander (McQueen), Isabella (Blow), a friend of cancer last year.
Recorded The Guardian, The Q&A, The Guardian, 16 August 2014 source ↗
Ranulph Fiennes English explorer
An angina attack 300 metres below the summit ridge of Everest in 2005, having spent 72 days getting that far.
Recorded The Guardian, The Q&A, The Guardian, 31 May 2008 source ↗

More from Ja’Tovia Gary

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Question What do you do when you feel creatively blocked or stuck? Craft & work
I work on other things. There's usually more than one project brewing. I also write. I also listen to talks; I love listening to black feminist thinkers or listening to people read their poetry. What I try to do is fill my arsenal. I'll put this shit down or I'll pick something else up. Like some days, I just take whole days where I "play," and that's where I'll only do production stuff.
Recorded Aye'lesha Gibson, FEMEXFILMARCHIVE, 27 February 2020 source ↗
Question How do you know when a piece of work is finished? Craft & work
It’s investigative curiosity at the beginning, this phase of questioning and garnering. And at the end it’s instinctual. It’s a sweet spot. There have been times where I’ve gone out and presented something thinking that it’s done and then brought it back. I’ve gotten audience reactions, brought it back, turned it up a little bit, and then it was done. Sometimes my finishing process requires me to see it with a large group of people.
Recorded Pola Pucheta, The Creative Independent, 14 May 2024 source ↗
Question How does a new work begin for you? Craft & work
When I start a project, it’s a kind of investigation and curiosity at the beginning. I’m basically culling materials. I’m gathering. A lot of the work takes on a collage aesthetic. So I am thinking through an idea and then gathering all of the supporting documents. In some ways it’s essayistic. I’m attempting to put forth an idea or a thesis. There are assertions that are being made, and what can I use visually, whether it is 16 millimeter film from the past or things that I shoot myself, whether it’s interview that I go out and get, whether it’s me painting on film and creating some sort of abstraction that alludes to or gestures towards the assertion. It’s playtime at the beginning. It’s almost like a very active brainstorming that requires me to go out and find materials as well as make notes, as well as look at footage as well as read. It’s investigative curiosity at the beginning, this phase of questioning and garnering. And at the end it’s instinctual. It’s a sweet spot. There have been times where I’ve gone out and presented something thinking that it’s done and then brought it back. I’ve gotten audience reactions, brought it back, turned it up a little bit, and then it was done. Sometimes my finishing process requires me to see it with a large group of people.
Recorded Pola Pucheta, The Creative Independent interview, 14 May 2024 source ↗

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