Concepts can be really freeing in their limitations. I really enjoy when I make rules for myself in my creative practice. Whether that means I’m going to try and write a song without the use of the word “I,” I like having rules in my songs. Even if I don’t follow them exactly, it’s kind of nice to have a very loose guideline. And then when I try to create that universe for myself, I at least can visualize the path that I’m trying to follow.

I feel some sort of chemistry with the subject.…The bar for me is when it’s interesting enough that I would talk about it on my own time.

That’s tough. At this point, with both visual art and music, I’ve done it enough where it’s very much this flow state where I’m not really thinking about any technical stuff. I’m just putting one thing down, and that leads to the next thing, and then you’re off to the races. There’s very little rationalization or any real plan, especially at the very beginning of the project. It’s literally just trying things to see where I can end up. As an album project starts shaping up, there’s a handful of songs or maybe…there’s some parameters in place, and you’re working within that.

Yeah, I think it’s a combination of all those things, really. I think narrative is significant and important to me. And I think most of the narratives that really struck me were about history or were narratives that I received in ways that were abstract, so they were kind of nonlinear narratives that I pulled from, for example, music. You know, music was a huge inspiration to me growing up, I grew up listening to a lot of reggae music, a lot of dancehall, dub. If you listen to that music, I think one of the things you realize is that those particular artists, those legendary artists who were making that music in the ’70s and ’80s, and even to some degree in the ’60s, were really good at provoking you to go on your own journey with the information that they were giving you in the music. For me, one of the things about artistic practice is not about providing some solution, but instead provoking curiosity about some things that you should find on your own and not be led to.

The spiritual practice is West African–derived and earth based, and there’s a process of ancestral veneration that is a hallmark of this tradition. I’m talking to them and seeking their help, petitioning them, thanking them, praising them. Attempting to listen and be led.

It requires me to be in prayer and meditation daily, or else I will literally spiral out. It’s something that I put at the forefront of my life.

I work on other things. There's usually more than one project brewing. I also write. I also listen to talks; I love listening to black feminist thinkers or listening to people read their poetry. What I try to do is fill my arsenal. I'll put this shit down or I'll pick something else up. Like some days, I just take whole days where I "play," and that's where I'll only do production stuff.

If im fearful of the project, then I know that I am on to something interesting.

So I’m listening, I’m watching, and I’m also reading while I’m making.

Certain people really aren’t getting their emails answered. Certain people are getting their emails answered at a very deliberate and delayed rate. There are certain things that I’m passing up that people think that I should be taking, jumping at and clapping over. There’s a certain amount of refusal happening right now because I’ve got to prioritize my health and my ancestral mandates.