And I think it had something to do with my grandmother and my mother being nurses, and my mother once said to me, “Once you see people bleed it’s hard to believe there’s much difference in race.

But I was blessed with parents who taught me not to let anyone make me feel like I wasn’t good enough, and as my mother told me, “You are just as good as anyone else. You get an education and try to be somebody. Then you won’t have to be kicked around by anybody, and you won’t have to depend on anyone for your livelihood, not even a man.”

I think he was a great philosopher. He had a wonderful theory that you live in the “now,” which I think is important. Along with living in the moment, you also have to assume the responsibility that goes along with it, and you don’t take your position lightly. But it also means that you get the full value of the moment that you are living, so you don’t look back on your life and say, “If only I hadn’t wasted time, if only I had done this.” You do the best you can. It was wonderful to be able to go home after a performance, and think, well it wasn’t maybe so good, but it was the best I could be at that time.

And what this person told me was that what you need to do is that, when you go to the White House, always say in the back of your mind that this may be the last time I’m going there because I might have to tell this president something he doesn’t like.

I will say it’s very in a way looks very physical. You know, it’s like a dance. At the end, you are moving your hands in front of an orchestra, your arms, but it’s like a choreography, and that is, that is a dance part of, of conducting. … But at the end, yes, is something that starts from that, but then it gets very deep in a very, I will say philosophical, metaphysical, psychological thing, conducting—more than. Spiritual. It’s more than moving your hands in front of an orchestra and the people watching you jump or move or do these kind of things, it’s something very spiritual, that is right.