Protect the time and space in which you write. Keep everybody away from it, even the people who are most important to you.
The Guardian Review, 20 February 2010 source ↗
Protect the time and space in which you write. Keep everybody away from it, even the people who are most important to you.
The Guardian Review, 20 February 2010 source ↗
When I ask myself what I've found life is too short for, the word that pops into my head is “bullshit.” I realize that answer is somewhat tautological. It's almost the definition of bullshit that it's the stuff that life is too short for. And yet bullshit does have a distinctive character. There's something fake about it. It's the junk food of experience. If you ask yourself what you spend your time on that's bullshit, you probably already know the answer. Unnecessary meetings, pointless disputes, bureaucracy, posturing, dealing with other people's mistakes, traffic jams, addictive but unrewarding pastimes.
But these days, if I have to choose between building my tennis résumé and building my family, I choose the latter.
I'm tired, I'm not myself and I'm not enjoying the sport as I have done for the last decade. Some might recognise it as burnout; I just know that over the last few years I haven't had the answers.
I communicated that I wanted to skip press conferences at Roland Garros to exercise self-care and preservation of my mental health. I stand by that. Athletes are humans.
Narcissism, solipsism.
Violent death. Death generally.
I feel almost certain I don't know them. It would be one of these types who dedicate their lives to the welfare of others, whereas the people I tend to know are people making stories out of the dramas of themselves.
Don’t romanticise your “vocation”. You can either write good sentences or you can’t. There is no “writer’s lifestyle”. All that matters is what you leave on the page.
Reading quietly, in high grass, among loved ones (who are also quietly reading). Followed by a boozy lunch.
Oblivious to the event or on the brink of a genuine religious conversion.
Jeanette Winterson, Richard Ford, Joyce Carol Oates, Roddy Doyle, Colm Tóibín, Chimamanda Ngozi Adichie
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