I don’t think I could. Of course I’m saying this on American soil. I’m facing a few more months of work in this city, but at the end of it, I will be returning to South Africa. I would like to believe that if for some reason the situation deteriorated to the point where I was told, “If you leave South Africa, you can never come back,” I’d stay there. There were periods in my life when I could have been seduced away. I am incredibly fortunate that the government took away my passport at the point when I was most open to seduction. With my passport gone, I could have left on a one-way ticket. But the issue was so starkly highlighted that I had no problem in saying, “No.”
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Athol Fugard
Playwright, director and actor
South Africa · 1932–2025
Arts and letters
About
South African dramatist whose plays, most of them set in and around Port Elizabeth, examined life under apartheid. His first major work, The Bloodknot, opened in Johannesburg in 1961 with a racially integrated cast; legislation prohibiting such casts was passed shortly after it closed. His passport was confiscated by the South African government from 1967 to 1971.
3 answers
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