The question

Which writers or artists most influenced your work?

Originally asked

The Paris Review, to novelists and poets, The Art of Fiction

A durable Art of Fiction question asked through named literary influences and artistic models.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Abby Wambach

United States international footballer, 2001–2015

Recorded said elsewhere, not written here
My wife has inspired me probably the most out of my person in my life…Mia Hamm had a huge impact on my life – not just as a player. When I was new to the team I watched how she treated her teammates. I watched how she interacted with fans. I watched how she dealt with sponsors and her off the field business decisions. Mia was the symbol of the impossible.

Matthew Hall, Guardian interview, The Guardian, 9 April 2019 source ↗

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Frank O. Gehry Architect; winner of the 1989 Pritzker Prize
I spent time with Rauschenberg a lot during the combine period. I think just around the combine period. He had a big influence on me because he was very free and not full of philosophy and why I’m doing this and that. Some of the artists had this anchor of having to be — relate sometimes to Hegel and Kant and Nietzsche. It was sort of baggage that they brought to the table that was irrelevant. I mean it was in their head and it was relevant, but it was irrelevant to this moment of truth. So I found the artists that were kind of “dumb smart,” that were really smart but didn’t parade it, that were willing to take the risks and stuff.
Recorded Academy of Achievement interview, Los Angeles, California, 27 September 2016 source ↗
Andrew Lloyd Webber Composer of musical theatre
Well, I mean, obviously, as I said, Richard Rodgers, very obviously say, composers like Prokofiev, like Gershwin, all of these, the great musical theater writers. I would add, as melodists, I think if you were talking about the great melodists of the 20th century, I would put Paul McCartney in there. I would definitely put Rodgers. I would definitely put Prokofiev. I’d definitely put Gershwin because he died so young, but definitely would put him there. And those, of course, in the theater side of things, I’d definitely put Hal Prince
Recorded Academy of Achievement interview, New York City, 13 September 2019 source ↗
Amy Tan Novelist; author of The Joy Luck Club
I remember one teacher in particular. I was in a school in the third grade and they were thinking of skipping me, putting me in a higher grade. But then somebody said that would be bad psychologically. So, for that entire year, because I had learned all the lessons that year — the multiplication tables, whatever the reading was — this teacher let me go off by myself and draw pictures. So I had hours and hours of time where I was just left to my own devices, drawing pictures. And she would encourage me. That was a wonderful period in my life. I mean, I didn’t become an artist, but somebody let me do something I loved. What a luxury, to do something you love to do. I would still like to have that luxury, to be able to just sit and draw for hours and hours and hours. In a way, that’s what I do as a writer. I just sit by myself, being in my own mind, not being directed at what I should be doing moment-by-moment, not having a clear plan set out by anybody and just letting imagination enter into the blank page. So in that respect, I can thank Miss Grudoff of the third grade for allowing me that.
Recorded Academy of Achievement interview, Sun Valley, Idaho, 28 June 1996 source ↗
Charles H. Townes Physicist; Nobel laureate in physics for the invention of the maser and laser
Most scientists do. Of course there are the classical figures. I might talk about Einstein a little bit, for example. Now, when I was in college, I was taking my second course in physics, I remember very well, and it had a chapter on relativity. And I took this relativity on a vacation in the mountains; my family went with me. And I remember very well sitting on a rock up in the hills there overlooking a stream, reading this relativity derivation. And it was just very exciting and interesting. It was a strange new world, relativity. I even thought I had found where Einstein made a mistake. And I went back for lunch, and I thought about it, came back. And I said, “No, he was right after all,” but it was still very exciting. To see a completely different kind of idea and world from what one’s normal intuition shows. Of course, Einstein was one of the great scientists; I’ve always admired him. I fortunately had a chance to talk with him and interact with him a little bit as well.
Recorded Academy of Achievement interview, Berkeley, California, 18 March 1991 source ↗

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