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The question

Which writers or artists have most influenced your work?

Originally asked

The Paris Review, to novelists and poets, The Art of Fiction

A durable Art of Fiction question asked through named literary influences and artistic models.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Charles H. Townes

Physicist; Nobel laureate in physics for the invention of the maser and laser

Recorded said elsewhere, not written here
Most scientists do. Of course there are the classical figures. I might talk about Einstein a little bit, for example. Now, when I was in college, I was taking my second course in physics, I remember very well, and it had a chapter on relativity. And I took this relativity on a vacation in the mountains; my family went with me. And I remember very well sitting on a rock up in the hills there overlooking a stream, reading this relativity derivation. And it was just very exciting and interesting. It was a strange new world, relativity. I even thought I had found where Einstein made a mistake. And I went back for lunch, and I thought about it, came back. And I said, “No, he was right after all,” but it was still very exciting. To see a completely different kind of idea and world from what one’s normal intuition shows. Of course, Einstein was one of the great scientists; I’ve always admired him. I fortunately had a chance to talk with him and interact with him a little bit as well.

Academy of Achievement interview, Berkeley, California, 18 March 1991 source ↗

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Others on this question

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Frank McCourt Teacher and memoirist; winner of the Pulitzer Prize for Biography or Autobiography
The last teacher I had was a man named O’Halloran. But he was the only one who offered words of encouragement, who told us we were distinct, unique individuals with a right to think for ourselves. And that was just before we left Leamy’s National School. And he told me, “My boy, you are a literary genius.” And you can imagine what I had to put up with at the schoolyard with all the others. “Hey, McCourt, you’re a literary genius. Look at him. Look at the literary genius.
Recorded Academy of Achievement interview, Washington, D.C., 19 June 1999 source ↗
Robert Wilson Theatre director and designer; creator of Einstein on the Beach
Well, if I had studied theater, I would not be making the kind of theater that I’m making. My theater came about by living. My first play that had text was written with another 13-year-old young man named Christopher Knowles who spent 11 years of his life in an institution for brain damaged children and was composing text that were arranged mathematically and had to do with geometry. I was fascinated by his mind and the way he was putting words together. Not only was it interesting to hear, but it was also very interesting to see. It wouldn’t be necessarily right for someone else, but for me it was something I was drawn to. It came about by living, not by reading a book.
Recorded The Talks, published interview, 17 September 2014 source ↗
Lynn Nottage Playwright; twice winner of the Pulitzer Prize for Drama
Well absolutely Sondheim was an influence, because he was in many ways this door into the world of theater and he is a phenomenal composer. He’s also a phenomenal mentor.
Recorded Academy of Achievement interview, New York City, 14 September 2019 source ↗
David Lynch Film director, screenwriter and painter
I don’t know if that is true. There have been 110 or more years of cinema, and it’s impossible for any one of us to make a film that can’t be compared to something that has come before. To me Blue Velvet is Blue Velvet and Rear Window is Rear Window. You could say that Sunset Boulevard or Rear Window has conjured an idea for me, but even though I love them or am inspired by them, life is a 24/7 movie. Ideas come out of that all the time. It’s hard to say it’s cinema that conjures ideas. It’s altogether.
Recorded The Talks, published interview, 15 October 2014 source ↗

More from Charles H. Townes

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Question What fills you with the most pride? Identity & self
I suppose it’s easy to say, and it may be true, that my role in the development of the laser is perhaps the most important to society. Certainly in terms of applications, and the direct effects on humans, that has been quite important. On the other hand, there are other things which most people don’t know about, and in the scientific area, that I could argue are really quite important, the discoveries there.
Recorded Academy of Achievement interview, Berkeley, California, 18 March 1991 source ↗
Question Do you rely more on inspiration or discipline to make your work? Craft & work
People tell me that I work hard. I never feel that I do particularly, because it’s fun. I always say, “Well, I’ve never worked hard in my life.” I’m busy, but most of what I do is enjoyable. It isn’t that it’s not tedious to some people, and so on, and of course I have routine to do, but I don’t mind it. I just don’t feel that I’m put upon. I spend a lot of time, but it’s fun. It’s a very intensive hobby. I would say it’s my most serious hobby. I have lots of hobbies, but the one permanent one is science, physics. So yes, I spend a lot of time, and I would agree with Edison, you have to work very hard and intensively.
Recorded Academy of Achievement interview, Berkeley, California, 18 March 1991 source ↗

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Linus C. Pauling, Ph.D., Gertrude B. Elion, Frances Arnold, adrienne maree brown, Suzanne Farrell, David Lynch

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