I read Turgenev, Ivan Turgenev’s Fathers and Sons , and that book had a tremendous impact on me. It was about a young man who came back to the old village to visit the old people after he had graduated from his university, and he used to be a doctor, and falls in love with a beautiful woman and all that sort of thing. They lived out in the country. When I was writing my first novel, Catherine Carmier — I started writing it in ’58, I think, ’58, ’59 — I knew nothing about writing a novel, and I used that Fathers and Sons as sort of my Bible, my guide. My first novel was about a young man who had been away from the old place, and then returning, and falls in love with a beautiful girl, and he loses her. I was really very much impressed by — influenced by — Turgenev’s Fathers and Sons at that time, but then I started reading other books, of course. I was reading other books at the same time, but that was the book that had the earliest influence on my structure

Well, I mean, obviously, as I said, Richard Rodgers, very obviously say, composers like Prokofiev, like Gershwin, all of these, the great musical theater writers. I would add, as melodists, I think if you were talking about the great melodists of the 20th century, I would put Paul McCartney in there. I would definitely put Rodgers. I would definitely put Prokofiev. I’d definitely put Gershwin because he died so young, but definitely would put him there. And those, of course, in the theater side of things, I’d definitely put Hal Prince

Well absolutely Sondheim was an influence, because he was in many ways this door into the world of theater and he is a phenomenal composer. He’s also a phenomenal mentor.

Growing up, it was the music, the style, it was what you saw, what you read, what you looked at, the vernacular that influenced you the most. I carried that, it was so important to me.

Buying art…. But it makes me happy!

My tendency to skip meals.

I wanted to know. I asked a lot of questions and she would say, "Read, read."…So she inspired me a great deal.

More than anything else, I had to combat the barriers, and we tore down those barriers. I just had to set a sail against the wind, those strong winds, to end segregation and racial discrimination, but somehow, in some way, I didn’t let those barriers keep me down.

On the Freedom Rides in the year 1961, when I was beaten at the Greyhound bus station in Montgomery, I thought I was going to die. On March 7, 1965, when I was hit in the head with a night stick by a state trooper at the foot of the Edmund Pettus Bridge, I thought I was going to die.

I would come home and ask my mother, my father, my grandparents, my great-grandparents, 'Why?'. And they would say, 'That's the way it is. Don't get in the way, don't get in trouble!'