Well, my mom had me at 22 and my sister at 24. When I think about her trying to raise these two young girls in Manhattan, having grown up in an incredibly conservative family and her having a more progressive calling for a more liberal life… It was my mother’s bravery, and my mother’s pursuit of her creative life that made it possible for me to have the one I currently have.

I liked all the normal kinds of adventure books, Kidnapped, Treasure Island, Huck Finn sorts of things. I loved Swiss Family Robinson and that whole period of South Sea adventure movies. I liked westerns. Westerns were very big when I was growing up. When we finally got a television there was a whole run of westerns on television. John Wayne films, directed by John Ford, before I knew who John Ford was. I think those were very influential in my enjoyment of movies.

Yeah, of course! I think they made that way back in like 1968 with an optical printer where they had to keep shooting each section. It was made for IBM. The idea of virtual travel versus physical travel, the idea of exploration.

I spent time with Rauschenberg a lot during the combine period. I think just around the combine period. He had a big influence on me because he was very free and not full of philosophy and why I’m doing this and that. Some of the artists had this anchor of having to be — relate sometimes to Hegel and Kant and Nietzsche. It was sort of baggage that they brought to the table that was irrelevant. I mean it was in their head and it was relevant, but it was irrelevant to this moment of truth. So I found the artists that were kind of “dumb smart,” that were really smart but didn’t parade it, that were willing to take the risks and stuff.

It went from publisher to publisher to publisher. All of them refused it. They gave the same reasons, until a small publisher picked it up. From 1960 to 1963, three years, it didn’t sell 1500 copies. Nobody wanted to read it. It doesn’t matter. I am not here to sell, I’m here to write.

I remember the awakening that occurred in me when I read, for the first time, Franz Kafka. ... That morning I was happy. I wanted to run out and embrace them, all these garbage collectors, because they taught me that there was another world than the world of Kafka, which is absurd and desperate, and despairing.

Sensitivity. Be sensitive in every way possible about everything in life. Be sensitive. Insensitivity brings indifference and nothing is worse than indifference. Indifference makes that person dead before the person dies.

After the war — I was 15 when I entered the camp, I was 16 when I left it, and all of a sudden you become an orphan and you have no one. I had a little sister and I knew, with my mother the first night, that they were swept away by fire. My older sisters I discovered by accident after the war in Paris, where I was in an orphanage. But to be an orphan — you can become an orphan at 50, you are still an orphan. Very often I think of my father and my mother. At any important moment in my life, they are there, thinking, “What an injustice.”