I unfortunately contracted tuberculosis at the age of sixteen and had to take a two-year break and receive treatment at home before I resumed my study at the private Ningbo Xiaoshi High School (1948–1950) and Ningbo High School (1950–1951). This experience led me to make a decision to choose medical research for my advanced education and career – if I could learn and have (medical) skills, I could not only keep myself healthy but also cure many other patients.

But it was quite intense to be the first Black person that my German friends had seen. Actually laid eyes, and hands, on. And there was the German language, which I had to learn, and the German kids learned British English, so my American English was frowned upon. … Maybe I write like I do because I spent those years in the cauldron of not fluently speaking the native language of my classmates. Those several years of being told that the tongue I spoke wasn’t right.

Well, then of course, came the disaster in 1975, when my wife and my youngest daughter were flying into the Nepal hills where I was building a hospital and their plane crashed and they were killed. And this certainly, for me, was an absolute disaster, really because the two people that meant most to me in life had been killed in one fell swoop. It did take me quite a number of years to get over it. I found the only way to deal with it was to carry on very energetically, doing the things that we had all been doing together, which was largely building schools and things for the mountain people. Although, people used to say to me, “Time is the great healer,” certainly for the first two years I simply didn’t accept this. But, time was a great healer and after the years passed, the memories still remain. But, I think quite a lot of the pain tends to fade a little bit, and life did become a little bit easier.

I had two options. One was to remain silent and wait to be killed. And the second was to speak up and then be killed. I chose the second one. I decided to speak up.

I realized I wasn’t sounding as good as my reputation was, so I wanted to kind of get to that point where I wouldn’t be ashamed to go on the bandstand, which happened to me one time on a job I was playing with… Elvin Jones, at that time, was the drummer playing with me. We used to go around, had a big sign, “Sonny Rollins is coming to town,” everybody was there, but I didn’t sound good, and I knew I wasn’t playing up to what I should be. So I said, “Okay, I am getting out of here. I am going to go and woodshed,” as they say, and get myself together.

I hope so, yes! The thing is that my spiritual leanings don’t accept what we would call life and death… We don’t believe in that. There is no end! There is no dying. We’re here forever! Even though your body turns to dust like everything else in this world, your soul is going to continue on. Even though I’m not able to perform music anymore, I’m still here as a human being, my soul will still be here when I’m gone — so every day I’m trying to be a good human being. And I guess whatever I accomplish in that sense will turn into the legacy of Sonny Rollins.

I think when the creative person ends, he continues in the next existence. I'm a person who believes this life isn't the be-all and end-all of everything.

The life of a jazz musician is a difficult life, because you want to play, you want to be, you want to get to the inner spirit and sometimes you drink or you use drugs or you smoke a lot. You do all these things to try to get the spirit out. So it’s a difficult existence and a lot of the great people that I have known, and in history, they kind of over-indulge, and they never sort of are able to balance their musical life with their personal life. Maybe it’s not necessary to do that. That is another question, I don’t know, but I’d like to see young musicians coming up that don’t smoke and that don’t drink to excess and don’t use drugs, and don’t sort of debilitate themselves. I think that’s where we should go. I think that is what guys should be doing. I don’t think you have to drink and use drugs to play good jazz, but that’s been the model for so long that a lot of guys get caught up in that, you know.