Every time I call my wife or my friends or my mother or whoever and I say, “I fucked it up this time,” and then at the end of it, I feel okay. I resolved what I can do with this.

Many times when I found myself at a personal crossroads – when I graduated from Hitotsubashi University and was unsure about whether I wanted to go into research or become a businessman, when I quit my job at the Industrial Bank of Japan (currently Mizuho Bank), when I founded Rakuten, when I tried to buy Tokyo Broadcasting System (TBS) – I always visited my dad in Kobe to ask his advice. Like my wife, my dad was a behind-the-scenes counselor to me.

My wife, my children, my friends, myself. I’m my own strongest critic. I am much tougher on myself than anybody I know, consistently.

Try to retain some of the finest parts of the African American culture, some of the sweetest parts. The fact that people kind of drop their voices and become almost musical when they talk to a friend, or to a preacher, or to a teacher. They say, “Hey! How you doin’?” Remember that. Keep the melody in your mind and in your spirit. It will keep you tender in the tough times, which is very important.

Yes, the Kuleshov effect. When you place one image next to another, meaning emerges. If you change one image, the meaning changes. They are these psychological landscapes that are being painted. So I find this technique and the various ways that montages can be assembled extremely helpful.

I work on other things. There's usually more than one project brewing. I also write. I also listen to talks; I love listening to black feminist thinkers or listening to people read their poetry. What I try to do is fill my arsenal. I'll put this shit down or I'll pick something else up. Like some days, I just take whole days where I "play," and that's where I'll only do production stuff.

Certain people really aren’t getting their emails answered. Certain people are getting their emails answered at a very deliberate and delayed rate. There are certain things that I’m passing up that people think that I should be taking, jumping at and clapping over. There’s a certain amount of refusal happening right now because I’ve got to prioritize my health and my ancestral mandates.

It’s really a kind of roadmap or a record. It’s breadcrumbs in the forest. It’s like the hieroglyphic on the wall. It’s me attempting to code some sort of roadmap that helps us think and act our way out of these conditions.

I’m leaving these things behind so that in 2076 someone can say, “Oh, wow. OK, so this is what they were dealing with,” and maybe they can draw some sort of parallel to whatever is happening in their reality right now, the conditions that they face right now, as much as I can draw a parallel from what Fred Hampton was talking about to what I’m experiencing now.

Visibility doesn’t equal power.