Take no notice of anyone you don’t respect. […] Take no notice of anyone with a ­gender agenda. A lot of men still think that women lack imagination of the fiery kind.

I think I naturally felt like I needed to pull back, and maybe that’s one of the reasons why I decided to get pregnant then because I was 37, and I had Lukas at 38. So I have not been covering combat recently. I haven’t covered combat in a few years. I’ve been in South Sudan. I’ve been under fire. But I’m not like — it’s a very different time, also, in history. … Now I feel like I was very torn about not being in Mosul, but I didn’t go because I felt like it was extremely dangerous, and I just couldn’t do that to my family.

When deciding whether to do something, if you feel anything less than “Wow! That would be amazing! Absolutely! Hell yeah!” — then say no.

I’ve turned down opportunities constantly. I turn down invitations to do things for money. I have almost no interest in making money.

Yes, the Kuleshov effect. When you place one image next to another, meaning emerges. If you change one image, the meaning changes. They are these psychological landscapes that are being painted. So I find this technique and the various ways that montages can be assembled extremely helpful.

It’s really a kind of roadmap or a record. It’s breadcrumbs in the forest. It’s like the hieroglyphic on the wall. It’s me attempting to code some sort of roadmap that helps us think and act our way out of these conditions.

One of my biggest disappointments: I used to take piano lessons as a young girl, and then I stopped, because I was having a really difficult year as a kid. My step father had died, and I didn't want to do anything -- so I just stopped taking lessons. And then I think back and I'm like, “Damn, I could have been Nina Simone!” Haha

You can become a different person. That’s actually my favorite thing about Malcolm X is that he transformed himself multiple times over. He became a different person and always for the better. He kept leveling up.

When I start a project, it’s a kind of investigation and curiosity at the beginning. I’m basically culling materials. I’m gathering. A lot of the work takes on a collage aesthetic. So I am thinking through an idea and then gathering all of the supporting documents. In some ways it’s essayistic. I’m attempting to put forth an idea or a thesis. There are assertions that are being made, and what can I use visually, whether it is 16 millimeter film from the past or things that I shoot myself, whether it’s interview that I go out and get, whether it’s me painting on film and creating some sort of abstraction that alludes to or gestures towards the assertion. It’s playtime at the beginning. It’s almost like a very active brainstorming that requires me to go out and find materials as well as make notes, as well as look at footage as well as read. It’s investigative curiosity at the beginning, this phase of questioning and garnering. And at the end it’s instinctual. It’s a sweet spot. There have been times where I’ve gone out and presented something thinking that it’s done and then brought it back. I’ve gotten audience reactions, brought it back, turned it up a little bit, and then it was done. Sometimes my finishing process requires me to see it with a large group of people.

It requires me to be in prayer and meditation daily, or else I will literally spiral out. It’s something that I put at the forefront of my life.