Which writers or artists most influenced your work?

Originally asked

The Paris Review, to novelists and poets, The Art of Fiction

A durable Art of Fiction question asked through named literary influences and artistic models.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Ja’Tovia Gary said elsewhere, not written here
Yes, the Kuleshov effect. When you place one image next to another, meaning emerges. If you change one image, the meaning changes. They are these psychological landscapes that are being painted. So I find this technique and the various ways that montages can be assembled extremely helpful.

Beandrea July, Current, The Criterion Collection, 22 April 2026 source ↗

Others on this question

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Agnès Varda Film director, photographer and installation artist
Like everybody, I wanted to meet Andy Warhol. I was impressed by his work and how daring he was. I think he changed the cinema completely, simply by opening his camera and letting it go. He dealt differently with time and duration, and he didn’t care about how people would perceive it. It changed the cinema for me.
Recorded Hans-Ulrich Obrist, Interview Magazine, 5 September 2018 source ↗
Alan Titchmarsh Gardener and broadcaster
I aspire to Jane Austen's precision and observation, but I'm nowhere near.
Recorded Michael Odell, This much I know, The Observer, 14 August 2004 source ↗
Pete Rozelle Commissioner of the National Football League, 1960–1989
Oh, over the years, there are so many. One would be the man — I wanted to take his job away some day — Paul Zimmerman, sports editor of the L.A. Times. Jim Murray is writing for the Times now. Red Smith. I had the honor of meeting Grantland Rice way back when I was at the University of San Francisco. When we played New York in football back in 1951. Just a lot of good sports writers became friends of mine. And I respect them a great deal.
Recorded Rancho Santa Fe, California, Academy of Achievement, 15 May 1991 source ↗
Gore Vidal Novelist, essayist and playwright
I wrote a little book called Screening History , in which I go in great detail into the movies that affected me growing up. This was in the years of puberty, and so on. The Prince and the Pauper , based on Mark Twain’s novel with the Mauch twins in it. All of the propaganda films I loved, because they were political.
Recorded Academy of Achievement interview, Los Angeles, California, 3 June 2006 source ↗

More from Ja’Tovia Gary

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Question In the last five years, what have you become better at saying no to? Daily life
Certain people really aren’t getting their emails answered. Certain people are getting their emails answered at a very deliberate and delayed rate. There are certain things that I’m passing up that people think that I should be taking, jumping at and clapping over. There’s a certain amount of refusal happening right now because I’ve got to prioritize my health and my ancestral mandates.
Recorded Keisha N. Knight, Filmmaker Magazine, 8 April 2021 source ↗
Question How do you know when a piece of work is finished? Craft & work
It’s investigative curiosity at the beginning, this phase of questioning and garnering. And at the end it’s instinctual. It’s a sweet spot. There have been times where I’ve gone out and presented something thinking that it’s done and then brought it back. I’ve gotten audience reactions, brought it back, turned it up a little bit, and then it was done. Sometimes my finishing process requires me to see it with a large group of people.
Recorded Pola Pucheta, The Creative Independent, 14 May 2024 source ↗
Question What has been your biggest disappointment? Failure & regret
One of my biggest disappointments: I used to take piano lessons as a young girl, and then I stopped, because I was having a really difficult year as a kid. My step father had died, and I didn't want to do anything -- so I just stopped taking lessons. And then I think back and I'm like, “Damn, I could have been Nina Simone!” Haha
Recorded Aye'lesha Gibson, FEMEXFILMARCHIVE, 27 February 2020 source ↗

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