Olivia de Havilland
Film actress; twice winner of the Academy Award for Best Actress
Doing cryptic crosswords or, equally, reading tales of mystery and imagination.
Svetlana Gutkina, Culture.pl, 2019 source ↗
Doing cryptic crosswords or, equally, reading tales of mystery and imagination.
I then converted a bathroom, seldom used by the family, into a laboratory and spent hours playing with chemistry sets. With the help of an aunt, Esther Molina, who was a chemist, I continued with more challenging experiments along the lines of those carried out by freshman chemistry students in college.
Until this time I had never been able to drink whisky. I disliked the flavour intensely. I could not understand how so many of my brother officers were so often calling for a whisky and soda. I liked wine, both red and white, and especially champagne; and on very special occasions I could even drink a small glass of brandy. But this smoky-tasting whisky I had never been able to face. ... Once one got the knack of it, the very repulsion from the flavour developed an attraction of its own; and to this day, although I have always practised true temperance, I have never shrunk when occasion warranted it from the main basic standing refreshment of the white officer in the East.
A few years ago, I started wearing this as a uniform of sorts. It has removed all my anxieties about clothing. I now know what I'll be wearing in both summer and winter.
Poetry is more important to me, and if I was forced to choose, it’d be poetry. I often write essays when I’m unable to write a poem, but I also enjoy writing essays, so I don’t suffer while writing them.
Well, that’s the optimistic reading of it, which you are never able to apply when it happens. You can read it this way when it’s over. Rationally speaking, it’s a period that’s needed, because the danger for every poet, I think, is to write too much. So these are the blessed moments of silence, protecting you from writing too many poems, diluting you and what you have to say in a stream of banal poems. It’s necessary, but still very painful, because I just don’t know what to do if I don’t write poems. I still survive, but it is painful.
I love cities with a centre, like the Market Square in Kraków. They don’t have that in the States. A few cities were built upon Magdeburg rules, but not many. I really like New York, which has no centre (although you could count Central Park). In that respect, I’m like Venclova – I always seek the mediaeval that’s missing in America.
Generally, my hours are during the first part of the day; hardly ever in the evening. The hours nearer noon, the zenith of the day, are good for working.
This is a French expression, silence radio, which is used in the navy, for example—when you cannot use the radio because the enemy is near. It’s not an expression I use regularly; I used it once, maybe, to describe my period of inner silence, which mostly happens when I’m back home, coming from Houston. The long weeks or months of silence. So it’s the opposite of inspiration; it’s the time of doing other things. Waiting.
I loved Brodsky; I admired him. I thoroughly enjoyed talking with him, and I know he liked me, too. It was a friendship. It was one of the best things that ever happened to me.
Jia Tolentino, David Hare, Bong Joon-ho, Roddy Doyle, Will Self, Alain de Botton
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