During the ’80s, when I was in college, on the American side, it was Robert DeNiro in Taxi Driver, Robert Duvall and Martin Sheen in Apocalypse Now, Christopher Walken, John Savage, John Cazale, etc. All of those guys – I was blown away by the emotional impact and sincerity of their performances. And then of course, in the UK, I was going to a lot of theater at the time and watching great on stage performances from people like Jonathan Price, Albert Finney, Anthony Hopkins – all of whom really influenced me as well.

My wife has inspired me probably the most out of my person in my life…Mia Hamm had a huge impact on my life – not just as a player. When I was new to the team I watched how she treated her teammates. I watched how she interacted with fans. I watched how she dealt with sponsors and her off the field business decisions. Mia was the symbol of the impossible.

Norman Mailer, Geoff Dyer and Roland Barthes. I'm interested in writing that takes in the great questions. I'm curious as to whether you can be profound in the course of reporting the incidents of everyday life.

Well, naturally, my grandfather. He was a Hasid, meaning a member of the Hasidic community, and I loved him, I adored him. So thanks to him, I became a Hasid too. And my mother — who actually continued his tradition — she’s the one who brought me to Hasidic Masters. And all the stories I tell now — I’ve written so many books with Hasidic tales — these are not mine, these are theirs, my mother’s and my grandfather’s. My father taught me how to reason, how to reach my mind. My soul belonged to my grandfather and my mother. They enriched me, of course. They influenced me profoundly, to this day. When I write, I have the feeling, literally, physically, that one of them is behind my back, looking over my shoulder and reading what I’m writing. I’m terribly afraid of their judgment.

You have kids and you’re forced to remember that time actually extends. The world extends, policy extends, stakes extend past your own life.

I think it’s so good to abandon projects. I never feel sad about not trying to publish that novel.

I actually did write a novel. I worked on it for five years, and then I shelved it because it was bad.

As a writer, the only thing that you can guarantee yourself pleasure and challenge from is inside your own writing process.

I’m always afraid of false certainty about things

I love being bad at something and getting better at it.