There are many times for three months in a row I wrote every day, but there are also many times for three months in a row I didn't write a word. What I found is I make an appointment with myself and I don't look at each day, I look at the calendar ahead.

That's always been a tough thing. I've always struggled with staying present and not worrying too much about the future or the past. I'm always either dwelling on the past, or missing the past, or worrying about the future. So that's been a big challenge, because this type of lifestyle goes extremely fast.

I needed to physically be totally alone and be in a different place to get going.

Either you’re listening out for the kids or you’re writing. So I wrote when the kids went to bed. I wrote between nine and midnight those years. And my husband would listen out if the little guy was sick or something. It worked out.

I like to get into a playful state of mind, in my home studio. To spend time tinkering and looking through stuff. I have a lot of objects in my life that inspire me, in general, like books, records, synthesizers, and cameras. I like to mess around with them and get into a headspace where I can say, “Okay, I’m going to make music for two hours, and then I’m going to write for two hours.” I’m excited to be in a place where that doesn’t have to be directed toward anything too specific, for the sake of doing it and seeing where I’m at right now.

William Greaves’s film Symbiopsychotaxiplasm was an important early influence…Stuart Hall was a massive influence on this film

pick one job and delegate all the other tasks.

I need to know what my editing voice is

I finished it only to get on set and start re-writing everything.

really watching a lot of work. Also finding the right people to associate with and learn from in terms of work.