That I will suddenly lose my sense of humor, and everyone knows it but me.
Originally asked
Vanity Fair, to its interview subject, The Proust Questionnaire
The exact prompt is fixed in Vanity Fair's Proust Questionnaire and independently sustained in The Guardian's The Q&A over multiple decades.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Filmmaker Magazine, March 2013 source ↗
Others on this question
View all 285 →Becoming dickish.
Oh, all the time. We have a fear all the time. But that’s what keeps us going, that’s what keeps us focused. You have to have a fear. People who say, “I have no fear. I’m not afraid of ever failing,” are kidding themselves. Sometimes it’s the fear of failure, of not wanting to fail, that makes people as great as they are. I know that’s what pushes me, a lot.
When I was growing up, I thought quicksand was going to be a much bigger fear to contend with on a day‑to-day basis. It hasn’t proved to be a bother yet, but there’s still time.
More from François Ozon
View profile →No, I’m a very bad father, I abandon all my children. (Laughs.) Right now I’m in the present, and the future – what’s past is past.
I didn’t think anything actually [before],” he nods. “And now I ask many questions. Because I don’t know what I will do in such a situation.
Not always. Actually I like to do movies but I’m quite bored with all the work around. All the promotion. Actually, when you’re successful, all this work around is quite difficult. But, I have to deal with that.
But I need to show my work during the process. In the editing room, very often I invite friends and I do some test screenings with friends or people I know: editors, journalists sometimes. I ask them, Is it boring? Is it too long? What do you think?
It’s a long journey, you know. I really believe in the work of the unconscious. You have an idea, you think about it. You dream about it. But, for me, it’s my way of working, it depends on writing of course. I don’t need to go every day in front of my computer and write something. It’s always a surprise. In the moment, it’s a necessity. You need to write, so you write a thing.
No. You don't have to have rules. If you have rules—you know in cinema you have to be very pragmatic.
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