I always acted to be able to afford paints.
Originally asked
The Creative Independent, to working artists, its interview series
The Creative Independent repeatedly asks working artists how they divide time between creative practice and administrative, family, or second-job obligations.
You answer as yourself. Nobody on FLAPSS answers as anybody else.
Paula Bernstein, Interview, Fortune, 18 November 2019 source ↗
Others on this question
View all 21 →I am mostly full time dad and my time is mostly at the mercy of an awesome little boy. I write when I can.
Generally, my hours are during the first part of the day; hardly ever in the evening. The hours nearer noon, the zenith of the day, are good for working.
In the first 33 years of my life which is up until I climbed Everest, I was a very restless and slightly unhappy sort of person. I really didn’t have a great deal of social life, but I’d become very interested in adventurous activities. Perhaps, I was, in some respects something of a loner. But after I got married, that certainly changed my life very considerably, indeed. I found that it was possible to mix having a family with continuing on with adventurous activities, but I think a great deal of that was having a suitable wife. My wife was very, long-suffering. She knew that there were certain things I wanted to do and she was happy that I should do them. She was prepared to put up with considerable periods of being alone with the kids. She, was marvelous, so it made it possible for me to do the things that I wanted to do as well.
More from Alan Cumming
View profile →It’s a gut thing. There’s no rhyme or reason to it.
No, I would never say that. I would never say that I do something just in order to put a fresh spin on it or do something different with it. I am drawn to certain plays because I think there’s something about them in the story that I want to tell, or that I think is relevant—something that strikes me. With Macbeth, I’m not doing this because I want to do a crazy interpretation or production.
Well, you have to learn to say no. Certain times you have to think, all right, line in the sand. It’s a gut thing. There’s no rhyme or reason to it. I’m going to do this Beckett Play in London with Daniel Radcliffe. He said this really interesting thing about how he feels that he’s lucky enough that when he chooses a part, that he only does something that he thinks he can bring something to. I think that’s really good, if you have that choice.
Dying on the same day as someone much more famous than me.
I think the notion of a bucket list is kind of wrong, actually. If you want to do something, go and do it. Don't put it on a list and think, I want to do this before I die. What if you die tomorrow? Just go and do the things. Seize the day. A couple of years ago, I decided I'd like to do a dance piece, and I ended up doing this one-man dance-theater piece about (Scottish poet) Robert Burns. I just wanted to use my body in a different way.
I think acting your age is allowing other people to make decisions for you about how you should behave and what is age-appropriate. I encourage people to live and not be tied down with other people's expectations of what you should be doing. If you want to do something, go and do it. We overly worship the altar of youth. It's not good for our mental health. As a culture, we need to get better at seeing the beauty in aging and the beauty in things that are not young.
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