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The question

How do you tell when a piece of work is done?

Originally asked

The Creative Independent, to working artists, its interview series

A repeated process question in The Creative Independent, asked across visual art, music, writing, performance, and mixed media.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

WB
Willa Bennett

Magazine editor in chief and poet

Recorded said elsewhere, not written here
You just have to call it eventually. [For example,] technically speaking, yes, our September Issue is done. It has shipped. But do I feel finished with it? Never. We were ambitious with this issue—we decided we couldn’t platform just one, “face of fashion” and instead went with three exciting covers who each have added something unique to the conversation about style. Having one solid image for a magazine cover is one thing, but it’s another to say something through three rich stories. It was an exciting challenge, and I give my incredible team a lot of credit for their dedication and endless hours. I can’t wait for you to see it.

Madeline Howard, The Creative Independent, 17 August 2023 source ↗

Others on this question

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Matthew Gavin Frank American writer
When I’m exhausted with it, you know, when my obsession with the thing becomes diluted and I want to do something else. [Or] having created a sufficient mess… where I can’t add anymore, I need to peel back. And then, of course I am lucky enough to have an editor, to turn a project loose and then we’ll go from there. It’s different for every project. No book that I have written has taught me how to write the next one. I feel like a baby every time I start a new book. Like I’ve never done this before, and I have to figure it out from scratch each time.
Recorded Alesandra Tejeda, The Creative Independent interview source ↗
Cass McCombs American musician
I mean, nothing’s ever done. I don’t think anyone knows when something is really done. There’s just doing it and not doing it. You do it until you don’t want to do it anymore. Then hopefully, someone else will take it over and keep on doing it. Songs are not really from any individual. There are all these lawsuits about plagiarism, Led Zeppelin has been going through that lately. It bums me out. The idea of intellectual property is kind of a trap. It’s just a way to get by, which I guess is fair because most of us are broke.
Recorded T. Cole Rachel, The Creative Independent interview source ↗
Kevin Shields Irish musician
My mind is nearly like an infinite tunnel of potential ideas, but the ideas are all a part of what is already there. In my imagination, I always think there are more parts to record. Then when I work it through, I make it to a certain point and I’m like, “Actually, that’s enough.” Some of the extra bits that I’m thinking of are suggested anyway by interaction with what is already there, and it gets to a point where to add anything more would just be too much. I often imagine recording parts that people actually do hear, but are not actually there. By the time I’m done with the main guitar and other elements, [more parts] don’t capture anything else with all those suggested things. If I try to realize them, it’s less effective. I think that’s why people have often said they hear different things depending on how they listen to [our music].
Recorded Gary Canino, The Creative Independent interview source ↗
Jessy Lanza Singer, producer and DJ
It really comes down to instincts. If I feel good about it and the people that I trust that are listening to it feel good about it, then it’s good to go. But it’s definitely just a feeling you get in your gut that it’s done, and it’s time to either release it or can it and move on.
Recorded Max Freedman, The Creative Independent, 30 August 2023 source ↗

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