Yes, a major one, along with Sir Georg Solti. Because they’re both Hungarian, I used to call them the Hungarian mafia. He was always onto me. “Have you bring to Vera?” And then she’d say, “Georg, he won’t be liking this bit.” And between the two of them, there was this whish-whish-whish, like sword fighting, and I was being killed by the both of them. But I enjoyed every minute of it. It was good for me.

One of my mentors, Tom Frank, a professor of law at NYU, he was really instrumental in making me understand that we need to look at the global picture, and we always need to not take anything for granted, but go very much through a process of critical thinking before we formulate our views. So he was, I think, instrumental in shaping my views as to how to pursue my career in the future.

Only Mies influenced me. Le Corbusier I met. He was a nasty man, but obviously a genius. You don’t have to like the people just because they’re geniuses. Mies and I got along better and we became pretty close. I worked with him on his greatest building here, the Seagram building, which was kind of fun, but again, you can’t be a hero-worshipper and be an uncommon architect; you’ve got to be your own man. So I split with Mies and did a different kind of work.

Well, there were, you know, several poses that was known for everybody, that is known for certain poses. And to me it was the three-quarter back pose. And it was a very difficult pose to do, to twist your body and to show the small waist and to show at the same time your wide shoulders, your back. And you also see the front and you see the abs and you see the calf and the thighs and all of those things. But it was a difficult pose to do. Very few bodybuilders could master it. I copied basically Reg Park, who was my idol and who won three times the Mr. Universe competition. And he was known for that pose in a kneeling position and in a standing position. And so because he was my idol, I was, you know, absolutely fanatic to copy his poses and then to kind of improve on that. And that's exactly what I did.

I have generally had few setbacks and few obstacles. I have been very fortunate in that things have been handed to me rather than my going out after them. There are a few roads that I didn’t take that I maybe could have. When I was a graduate student, maybe a second-year graduate student, I worked frequently at the Illinois State Library in Springfield, and one day, the director of that library called me into his office and said, “I have some news to tell you that is still very hush-hush, but I’m resigning from this job. I’m going to the Chicago Historical Society, and I’m going to recommend that you be appointed in my place.