I started reading poetry in primary school—Victor Hugo, the romantics, and the Parnassians—they were part of the curriculum. In my grandfather’s library there were some anthologies of nineteenth-century poetry. Alfred de Vigny impressed me most; indeed I won a competition by reciting Vigny’s “Moses” with an enthusiasm that touched the examiner. In fact this poem and “La Maison du Berger” are among the most beautiful poems in the French language, unfairly neglected today.

On the one hand, we have people that say the aid system is so broken we need to throw it out. And on the other we have people who say the problem is that we need more aid. ... Both sides are right. And the problem is that neither side is listening to the other. Even more problematic, they're not listening to poor people themselves.

I was very well organized in my things. I am an exceptional worker, not only a risk taker. And I was not in competition with anybody. Many people died because they were in competition.

To me poor people are like bonsai trees. When you plant the best seed of the tallest tree in a flower-pot, you get a replica of the tallest tree, only inches tall. There is nothing wrong with the seed you planted, only the soil-base that is too inadequate. Poor people are bonsai people. There is nothing wrong in their seeds. Simply, society never gave them the base to grow on.

I think the notion of a bucket list is kind of wrong, actually. If you want to do something, go and do it. Don't put it on a list and think, I want to do this before I die. What if you die tomorrow? Just go and do the things. Seize the day. A couple of years ago, I decided I'd like to do a dance piece, and I ended up doing this one-man dance-theater piece about (Scottish poet) Robert Burns. I just wanted to use my body in a different way.

Plug it in, switch it on and read the bloody label.

I would say, “Don’t worry. It’s all going to be fine.” I always thought it would be fine, but there was a long time when it wasn’t fine. In terms of my career, the biggest thing I wanted to do was work in this theater in Glasgow. That was my dream. I thought that was a huge dream and maybe I’d move to London one day. I just wanted to work and I still just want to do work. I do think this happening to me is partially due to a a willingness to be like “Okay, I’ll go to America.” I’m not hungry.

Biggest lesson; Treat people respectfully. There's a sort of vogue, and there has been for decades now, that the director is god and the director is all knowing.

Well, you have to learn to say no. Certain times you have to think, all right, line in the sand. It’s a gut thing. There’s no rhyme or reason to it. I’m going to do this Beckett Play in London with Daniel Radcliffe. He said this really interesting thing about how he feels that he’s lucky enough that when he chooses a part, that he only does something that he thinks he can bring something to. I think that’s really good, if you have that choice.

Dying on the same day as someone much more famous than me.