Craft & work

Do you rely on inspiration or discipline to make work?

27 answers answered between 1985 and 2025 one of 4 from The Creative Independent

Originally asked

The Creative Independent, to working artists, its interview series

A repeated Creative Independent tension, asked as inspiration, muse, discipline, ritual, or the requirement to show up.

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On the record

Public figures who have answered a question like this elsewhere. Quoted from the source shown, not written for FLAPSS.

John Updike Novelist, poet and critic; twice winner of the Pulitzer Prize for Fiction
Right. It saves you from giving up. This present novel that will be out — Villages — I several times thought it might be a bad idea and kind of abandoned it. So, it was really the habit — the habit of writing that kept me at it in the end. It was like a bad marriage. I mean, whatever. This is the wife I’m married to here, and I’m going to finish this book. Finishing it becomes the only way to get rid of it. So yes, it’s good to have a certain doggedness to your technique.
Recorded Academy of Achievement interview, Chicago, Illinois, 12 June 2004 source ↗
Carlos Fuentes Novelist and essayist; Mexico's ambassador to France
A writer is no different than a bricklayer or a bus driver in that sense. You must have discipline. Oscar Wilde said that writing is 10 percent genius, 90 percent discipline. You must have discipline for writing. It is not an easy task. It is very lonely. You’re all alone. You are not in company. You are not enjoying yourself in that sense. You are enjoying yourself in another sense. You are delving into your depths, but you are profoundly lonely. It is one of the loneliest careers in the world. In the theater, you are with companions, with directors, actors. In film. In an office. In writing, you are alone. That takes a lot of strength and a lot of will to do it. You must really be in love with what you’re doing to tolerate the huge loneliness of writing.
Recorded Academy of Achievement interview, Los Angeles, California, 2 June 2006 source ↗
Gore Vidal Novelist, essayist and playwright
It’s best to start writing when you wake up in the morning, or afternoon, or whenever it is you wake up. Just start then, because you are closer to the dream state than at any other time in the day, which means the imagination is really working on all cylinders, and it means that whatever it is that manufactures sentences in your head is very fresh, and you have all kinds of slants on things that by the end of the day you won’t have, or you will just lose along the way. Further advice I have not.
Recorded Academy of Achievement interview, Los Angeles, California, 3 June 2006 source ↗
Athol Fugard Playwright, director and actor
Do I have a muse? Well, I don’t know if this is an adequate answer, but I suppose my muse is the people of South Africa. I’ve often said that the little — or maybe the lot — I know about loving and hating was taught me by South Africa. Now that’s a big debt. When you owe that much to a situation that has shaped your conscience, your heart, your whole life, you’re profoundly indebted.
Recorded Academy of Achievement interview, San Francisco, California, 13 September 2014 source ↗
Frank O. Gehry Architect; winner of the 1989 Pritzker Prize
It comes out of an intuition, or a learned intuition, I guess. You study a long time ’til you can do it. But it’s from looking around you, it’s from understanding what’s happening in the culture, what’s happening in the world.
Recorded Academy of Achievement interview, Los Angeles, California, 27 September 2016 source ↗
John Banville Novelist; winner of the Booker Prize, 2005
I keep office hours. I work from 9:30 to 6:00. It’s curious. In the morning, I could just about tie my shoelaces before noon, but I can write. It’s obviously a different part of my brain that’s working.
Recorded Academy of Achievement interview, London, England, 18 October 2017 source ↗
László Krasznahorkai Novelist; Nobel laureate in literature
The bitterness. I am very sad if I think of the status of the world now. This is my deepest inspiration. This could be also an inspiration for the next generation or generations in literature. Inspiration to give something for the next generation, somehow to survive this time because these are very, very dark times and we need much more power in us to survive this time than before.
Recorded Nobel Prize telephone interview with Jenny Rydén, published by Nobel Prize Outreach, The Nobel Prize, 9 October 2025 source ↗

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