I had really bad writer’s block when I wrote Strangers. I didn’t really write about the stuff that I wanted to write about because I hadn’t admitted it to myself. And I think sometimes writer’s block is about stuff like that. You’re not being honest with yourself. I finally broke through it, but I did so by writing an incredibly apocalyptic record that was very symbolic. I told Randall I wrote a record about the end of the world, and he said, “I don’t think this record is about the end of the world. I think this record is about the end of your world.” And I was just like, “Fuck you.” But at the same time he was really right. It definitely was an anxiety record.

I like to hammer on and get it done. That doesn’t mean you should rush it or be impatient. I’m very fortunate, because doing what I do, there is a matter of deadlines that come into place if I’m making a record. There is the pressure of having members of my band that I employ who have mortgages, and then management and record company who rely on me to deliver. But I’m glad to have that pressure. Again, it’s a privilege. It means I’m doing well, but it means I have to deliver. It gives you an endpoint.

I don’t. The process of trying to get to something is part of it. Sometimes I don’t have much of an idea initially. For me, studio time is also about reading and looking at things. I might spend a couple weeks just reading something or looking through images or doing image searches or going to museums and thinking in front of great paintings. And then at some point I start to get back to my own ideas and how they can form into something that has meaning for me.

I’m very much like Hans, yes! I think part of the reason is just because I learned from Hans, he has been a big mentor and a great friend for me, and I remember when he told me this, it actually made me feel comfortable in my process! We’re the same way, and so that actually made me relax a bit. Once I realized that, it helped me to see that the steps I need to take, you know, sitting down, thinking about what were my initial ideas? What instrumentation do I need? You just place yourself into the project and the ideas will hopefully come. Sometimes it comes easier than other times, sometimes it’s tough especially when a deadline is looming… But that’s the nature of the game. I just try to do the best I can do in the moment.

the colonel said I shouldn't tell them how the neutrons work and all the details because we want to keep things separate, so just tell them what to do to keep it safe.

For example, I was a little surprised when I was talking to a friend who was going to go on the radio. He does work on cosmology and astronomy, and he wondered how he would explain what the applications of this work were. "Well," I said, "there aren't any." He said, "Yes, but then we won't get support for more research of this kind." I think that's kind of dishonest. If you're representing yourself as a scientist, then you should explain to the layman what you're doing—and if they don't want to support you under those circumstances, then that's their decision.

It's made me a very happy man ever since.

It was a brilliant idea: You have no responsibility to live up to what other people think you ought to accomplish.  I have no responsibility to be like they expect me to be.

I had nothing to do, so I start to figure out the motion of the rotating plate.  I discover that when the angle is very slight, the medallion rotates twice as fast as the wobble rate—two to one.  It came out of a complicated equation!  Then I thought, “Is there some way I can see in a more fundamental way, by looking at the forces or the dynamics, why it’s two to one?”

It is necessary, I believe, to accept this idea, not only for science, but also for other things; it is of great value to acknowledge ignorance.  It is a fact that when we make decisions in our life we don't necessarily know that we are making them correctly; we only think that we are doing the best we can – and that is what we should do.