When young artists ask, “How can I get past these things?” I respond: “For one thing, try doing your very worst work. Do the worst song you can possibly think of. At the very least, you’ll get some idea of what your rules are. At the most, you’re going to get something that’s better than anything you’ve ever done because it has a lot of pure energy.” Just make it bad. Just make it really bad. You know, so pure and bad. I have tried that. That works well. Sometimes I clutch on that, too. I think, “No, that’s so bad it’s good.” Go on and on and get yourself twisted up into a language!

I have a DJ side that I’ve developed, and so when creative blocks hit me I tend to spin a lot more than usual. Also, just trying my hand in other fields. I’m looking at sewing classes the next time I have a creative block.

Nothing happens because there’s not enough real activity and challenge: You’re not in contact with the experimental guys.  You don’t have to think how to answer questions from the students.  Nothing!

There are a few. As far as getting started, lots of people who really want to make a song have figured that out already. I very rarely get asked for advice from people who have never written a song and want to know how to get started. It’s usually about getting stuck or feeling like they’ve painted themselves into a corner. I remember getting asked a question from this one kid who was probably 13 years old. He wanted to know if it was okay to always write in A minor. He liked writing classical piano pieces and his favorite key was A minor. My favorite key is also A minor, so he wanted to know if that was okay.