There were times when I thought I wanted to be a cartoonist. If I weren’t a film director, I think cartoons would have been a good alternative. But I never properly studied drawing, so my drawings are strange. But when I’m prepping films, it’s good preparation — and comforting to me — to do the storyboards. It’s fun, too, like drawing a whole comic.

I don't enjoy it but I know that I have got to live with [myself] if I'm not going to give it 100 per cent. The key thing is getting to the start line and knowing that I couldn't have done any more, that I didn't back off. You accept the pain, because if you didn't there would always be that element of doubt.

But I don’t want to repeat myself. And I realised that in America, the producer is the master of the film and the director is just a technician.

That’s a very good question. I think I’m a very lazy writer and by that I mean that I do not battle, I don’t struggle too hard against it. If I have difficulties in the writing, I just go and do other things. I don’t feel a compulsion to write. Of course, when I start writing then it becomes a compulsive activity, because I’ve begun something and I want to continue, want to finish it. … I know there are other writers who sit down religiously every morning, they take their espresso, they put a clean sheet of paper there and they sit looking at that paper until they’ve finished or covered at least a number of those pages. No, I’m not like that. I have to be ready. It has to gestate it for quite a while and then it’s ready to burst forth.

When Adèle walked down the road at the end of the film Blue Is The Warmest Colour.

I wanted my children to grow up in Australia, and if I have anything to pass on to them as a parent as a mentor, it is my own experiences of having grown up there, and shaped a career there.

The only experience I’ve had, in the early 90s I was working in the theatre and I went through a very bad period, 3 or 4 years, of dread inducing panic attacks before going out on stage and then I got an international film career and they sort of disappeared [laughter].

I was a dishwasher in Paris and a hospital orderly in London. But I did anything that was going.

"The love you take is equal to the love you make" – Lennon/McCartney.

A panic attack on stage during The Importance Of Being Earnest. Well, it felt like death.