It comes in fits and starts. In the past I thought about them as creative blocks, but I don’t really think about it like that anymore. I just think about it as a season. That’s okay.

You can move on, or if something gets overworked and you can put it down, cover it up, or something, and then come back to it and take it back to a place where you were still excited about it. I’m excited about having that opportunity again. I’m probably going to buy some land, but I don’t want to have agriculture be such a huge part of my life. As much as I believe in agriculture—and I think it’s very important that people know how to grow their own food—it’s another thing to take it on as another business and try do that at the same time as having an art career. I would not recommend it.

It’s lame to say, “Well, there’s this book,” but I would only mention this book—The War of Art by Steven Pressfield—because it is a super-easy, fast read. And it really is written for artists and entrepreneurs. One of the concepts that he lays out is, it’s a matter of us not brushing over the things that are important or giving ourselves excuses to not do the work that we don’t want to do.

One thing that’s not a hobby but is something I have to do is walk my dog. I’m not the first person to say walking is helpful. For writers, leaving the mental space and returning to a physical sensation in your body is important. Even playing piano is like a physical sport. Because we live so up here [gestures above her head] when we’re writing.