I prefer not to compartmentalize my life.

In the first 33 years of my life which is up until I climbed Everest, I was a very restless and slightly unhappy sort of person. I really didn’t have a great deal of social life, but I’d become very interested in adventurous activities. Perhaps, I was, in some respects something of a loner. But after I got married, that certainly changed my life very considerably, indeed. I found that it was possible to mix having a family with continuing on with adventurous activities, but I think a great deal of that was having a suitable wife. My wife was very, long-suffering. She knew that there were certain things I wanted to do and she was happy that I should do them. She was prepared to put up with considerable periods of being alone with the kids. She, was marvelous, so it made it possible for me to do the things that I wanted to do as well.

It's hard - truthfully the main thing other than work is just making sure that I'm spending enough time with michelle and the girls. The big advantage I have is that I live above the store - so I have no commute! So we make sure that when I'm in DC I never miss dinner with them at 6:30 pm - even if I have to go back down to the Oval for work later in the evening. I do work out every morning as well, and try to get a basketball or golf game in on the weekends just to get out of the bubble.

There are many times for three months in a row I wrote every day, but there are also many times for three months in a row I didn't write a word. What I found is I make an appointment with myself and I don't look at each day, I look at the calendar ahead.

It’s a long journey, you know. I really believe in the work of the unconscious. You have an idea, you think about it. You dream about it. But, for me, it’s my way of working, it depends on writing of course. I don’t need to go every day in front of my computer and write something. It’s always a surprise. In the moment, it’s a necessity. You need to write, so you write a thing.

No, I’m a very bad father, I abandon all my children. (Laughs.) Right now I’m in the present, and the future – what’s past is past.

Truffaut, Rohmer, Claude Chabrol, they were the great directors of the Nouvelle Vague. They found the freedom to make exactly the films they wanted. Chabrol was important because he was able to make very strong portraits of women and very complex portraits of women. He was very clever and he had a lot of joy and pleasure. He didn’t have some big theories about his work, he just enjoyed making films. I try to work like that.

But I need to show my work during the process. In the editing room, very often I invite friends and I do some test screenings with friends or people I know: editors, journalists sometimes. I ask them, Is it boring? Is it too long? What do you think?

But I need to show my work during the process. In the editing room, very often I invite friends and I do some test screenings with friends or people I know: editors, journalists sometimes. I ask them, Is it boring? Is it too long? What do you think?

No. You don't have to have rules. If you have rules—you know in cinema you have to be very pragmatic.