It was very challenging at first, as I came straight out of high school where my lifestyle was so different to that of a professional musician. I lived such a secluded life – I went from school to home, school to home, and never travelled anywhere. I hadn’t figured out who I was, as I hadn’t explored anything yet. To jump into the completely opposite lifestyle so quickly and so young was difficult – I was very afraid, and didn’t know how to say no.

Sí, empezamos desde cero. Pedimos una licencia de financiamiento comercial, pero es difícil comenzar porque la banca se basa en confianza, regulación y escala. Hay barreras regulatorias que dificultan la entrada de nuevos jugadores. Es un sector históricamente cerrado, que favorece a los incumbentes. Aun así, logramos construir una marca fuerte y generar confianza en los consumidores.

There were lots of times, especially in the early days, that were very, very difficult. I think the most difficult experience I had was in 1990 when Oracle had its only loss quarter in history. We’d been in business for 20 years, and after 20 years we lost money one quarter. We had a very difficult time. We had virtually doubled our sales every year for ten years. Nine out of ten years, ten out of eleven years. It was really quite an amazing run. We were the fastest growing company in history

What I’ve got doesn’t hurt. I’ve been lucky. The treatment has been benign. I don’t know if I could concentrate if I was in pain. I’ve never had to stop.

You may think it is the worst thing ever, but you will grow from it. People will forgive and forget.

I understand my definition does not meet most people’s definition of disability.

Do it. It is the hardest thing you will ever do and it will bring you immense joy. You won’t be alone, there is an entire community here for you.

Laurel and I collaborated with director Katherine Helen Fisher and other talented artists on the dance film REVEL IN YOUR BODY and that continues to screen all over the world

I’m reading an odd collection of books that should not go together, but of course they do. Georgina Kleege: What Blindness Brings To Art; Fred Moten: Black and Blur; Theri Pickens: Black Madness :: Mad Blackness.

Obviously, it’s different for everyone. And actually there is a difference for each thing I do. But one way it happens is to just move. [ laughs ] I mean, obviously, you don’t just sort of randomly throw yourself around the room. You move with these ideas and sometimes I find that I’ve already got images in my head that I imagine my body in, or sometimes I have sequences in my head. I think a lot of time I’m listening to what comes next because sometimes the body will tell you that. Often I don’t document it too early in the process because sometimes if you forget stuff it’s worth knowing that the things that you forget maybe weren’t worth keeping. The things that have settled are the things that need to be kept because they seem most urgent. I don’t know. I mean, sometimes it’s about going to the studio and nothing happens for a long time and you just sit there and you’re not feeling it. That’s awful. It’s like when you’re writing and sometimes you go to the coffee shop and you’re like, “So, we’ll just see what happens.” And you end up on Facebook. I think the answer to this is… I really think the answer to this is I don’t know. [ laughs ]